Kurosawa, Akira

The Columbia Encyclopedia, 6th ed.

Kurosawa, Akira

Akira Kurosawa (äkē´rä kōōrō´säwä), 1910–98, Japanese film director, scriptwriter, and producer, b. Tokyo. He is regarded as one of the world's greatest directors. In Rashomon (1950), he introduced Western audiences to Japanese film. Its bleakly humanistic stance toward the slippery nature of truth and its highly charged visual style marked Kurosawa's approach. His 29 other films range freely through history, often adapting classics of Western literature, including several of Shakespeare's plays, to Japanese settings and attitudes. His films include Ikiru (1952), a moving study of an elderly bureaucrat facing death from cancer; Seven Samurai (1954), an epic adventure; Throne of Blood (1957), an adaption of Macbeth; Yojimbo (1961), a rousing Japanese-style Western; Ran (1985), a sweeping version of King Lear; Akira Kurosawa's Dreams (1990), surreal vignettes that present an apocalyptic vision of human civilization; Rhapsody in August (1991), a grandmother's painful recollection of the Nagasaki bombing; and his last work, Madadayo (1993), a small, serene, and touching account of an elderly and beloved professor. In 1989 he received an Academy Award for the body of his work.

See his autobiography (1982); studies by D. Richie (1965, 1970); S. Galbraith 4th, The Emperor and the Wolf: The Lives and Films of Akira Kurosawa and Toshiro Mifune (2002); P. Anderer, Kurosawa's Rashomon (2016).

Notes for this article

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items
Notes
Cite this article

Cited article

Style
Citations are available only to our active members.
Buy instant access to cite pages or passages in MLA 8, MLA 7, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

(Einhorn 25)

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Note: primary sources have slightly different requirements for citation. Please see these guidelines for more information.

Cited article

Kurosawa, Akira
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this article

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Help
Full screen
Items saved from this article
  • Highlights & Notes
  • Citations
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

matching results for page

    Questia reader help

    How to highlight and cite specific passages

    1. Click or tap the first word you want to select.
    2. Click or tap the last word you want to select, and you’ll see everything in between get selected.
    3. You’ll then get a menu of options like creating a highlight or a citation from that passage of text.

    OK, got it!

    Cited passage

    Style
    Citations are available only to our active members.
    Buy instant access to cite pages or passages in MLA 8, MLA 7, APA and Chicago citation styles.

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

    1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

    Cited passage

    Thanks for trying Questia!

    Please continue trying out our research tools, but please note, full functionality is available only to our active members.

    Your work will be lost once you leave this Web page.

    Buy instant access to save your work.

    Already a member? Log in now.

    Search by... Author
    Show... All Results Primary Sources Peer-reviewed

    Oops!

    An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.