Rachmaninoff, Sergei Vasilyevich

The Columbia Encyclopedia, 6th ed.

Rachmaninoff, Sergei Vasilyevich

Sergei Vasilyevich Rachmaninoff (syĬrgā´ vəsē´lyĬvĬch räkhmä´nēnôf), 1873–1943, Russian pianist, composer, and conductor. He became known as one of the greatest pianists of his generation, and he was also successful as a conductor and composer. From 1885 to 1892 he studied at the Moscow Conservatory, after which he began his career as a concert pianist. In Moscow he was conductor of the Imperial Opera (1905–6) and of the Philharmonic concerts (1911–13); he twice refused permanent conductorship of the Boston Symphony Orchestra. In 1917 he left Russia and never returned. After living in Switzerland until 1935, he immigrated to the United States and became a U.S. citizen shortly before his death.

As a composer he was strongly influenced by his friend Tchaikovsky. Rachmaninoff's music, particularly his piano compositions, are characterized by their dark and massive chords, whose dramatic effects and strong melodic lines have made them enormously popular. His best-known works are the second (1901) of his four piano concertos, and the Prelude in C Sharp Minor (1892), for piano. Other compositions include Rhapsody on a Theme of Paganini (1934), for piano and orchestra; an orchestral tone poem, The Isle of the Dead (1909); The Bells (1913), for chorus and orchestra; three symphonies; two sacred choral works, Liturgy of St. John Chrysostom (1910) and Vespers (1915); and many piano pieces and songs.

See his Recollections (tr. 1934); biographies by J. Culshaw (1950), V. I. Seroff (1950), S. Bertensson and J. Leyda (1956), and G. Norris (1976).

Notes for this article

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items

Items saved from this article

This article has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this article

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this article

Cited article

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited article

Rachmaninoff, Sergei Vasilyevich
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this article

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Help
Full screen

matching results for page

    Questia reader help

    How to highlight and cite specific passages

    1. Click or tap the first word you want to select.
    2. Click or tap the last word you want to select, and you’ll see everything in between get selected.
    3. You’ll then get a menu of options like creating a highlight or a citation from that passage of text.

    OK, got it!

    Cited passage

    Style
    Citations are available only to our active members.
    Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

    1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

    Cited passage

    Thanks for trying Questia!

    Please continue trying out our research tools, but please note, full functionality is available only to our active members.

    Your work will be lost once you leave this Web page.

    For full access in an ad-free environment, sign up now for a FREE, 1-day trial.

    Already a member? Log in now.