Special Journal Issues

By Mayhood, Erin | Notes, March 2006 | Go to article overview

Special Journal Issues


Mayhood, Erin, Notes


American Music. Vol. 23, no. 1 (Spring 2005): Editing American Music: Perspectives on the MUSA Series. This volume celebrates the monument that helped establish American music as worthy of study. Contains an article by Richard Crawford on the history of MUSA and articles discussing the challenges and considerations involved in creating a critical edition of American music-specifically Hawaiian and Rock music.

American String Teacher. Vol. 55, no. 3 (August 2005): this issue has a special focus on the beginning student.

Bulletin. Council for Research in Music Education. Nos. 161/162 (Summer-Fall 2004): Contains the majority of studies presented during the twentieth ISME Research Seminar held in Las Palmas de Gran Canaria (Spain) in July 2004. The remainder will be published in number 163.

Cambridge Opera Journal. Vol. 16, no. 3 (November 2004): Performance Studies and Opera. Michelle Duncan is the guest editor.

Indiana Theory Review. Vol. 22, no. 2 (Fall 2001): Special focus on early-twentieth-century music, with articles on Schoenberg's harmonic theories, motivic repetition in piano rags, and pitch class relationships in Debussy's piano preludes. Vol. 24 (Spring-Fall 2003): special double issue devoted to theory and performance.

International Journal of Music Education. Vol. 23, no. 2 (August 2005): Special focus issue on advocacy in music education. "The issue addresses the topic in three sections: Why music? Essays on the importance of music education and advocacy; How to advocate for music: personal stories of music education advocacy; and Where and what: Resources, tips and support information for music education advocacy" (p. 91).

Journal of Musicology. Vol. 22, no. 1 (Winter 2005): In memory of John Daverio (1954-2003).

Music in Art: International Journal for Music Iconography. Vol. 29, no. 1-2 (Spring-Fall 2004): Iconography as a Source for Music History. Proceedings of the Ninth Conference of the Research Center for Music Iconography cosponsored by the Metropolitan Museum of Art, commemorating the twentieth anniversary of the death of Emanuel Winternitz (1898-1983) and held in New York City, 5-8 November 2003. This volume represents the first of three planned volumes celebrating the life of Emanuel Winternitz, one of the founders of music iconography. …

The rest of this article is only available to active members of Questia

Sign up now for a free, 1-day trial and receive full access to:

  • Questia's entire collection
  • Automatic bibliography creation
  • More helpful research tools like notes, citations, and highlights
  • A full archive of books and articles related to this one
  • Ad-free environment

Already a member? Log in now.

Notes for this article

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items

Items saved from this article

This article has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this article

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this article

Cited article

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited article

Special Journal Issues
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this article

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Help
Full screen

matching results for page

    Questia reader help

    How to highlight and cite specific passages

    1. Click or tap the first word you want to select.
    2. Click or tap the last word you want to select, and you’ll see everything in between get selected.
    3. You’ll then get a menu of options like creating a highlight or a citation from that passage of text.

    OK, got it!

    Cited passage

    Style
    Citations are available only to our active members.
    Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

    1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

    Cited passage

    Thanks for trying Questia!

    Please continue trying out our research tools, but please note, full functionality is available only to our active members.

    Your work will be lost once you leave this Web page.

    For full access in an ad-free environment, sign up now for a FREE, 1-day trial.

    Already a member? Log in now.