Soo Kim: Pasadena Museum of California Art

By Miles, Christopher | Artforum International, April 2006 | Go to article overview

Soo Kim: Pasadena Museum of California Art


Miles, Christopher, Artforum International


Soo Kim's They Stop Looking at the Sky, 2006, which was shown recently in the Pasadena Museum of California Art's project space, is a set of collages made by using a computer to juxtapose found and original photographs and new drawings, printing the results on single sheets of transparent film, then mounting each composition on one of three four-by-five-foot Plexiglas panels. The recurring image is a partial overhead view of a city. The architecture suggests a range of cultures, periods, and technologies; the overall mix makes it difficult to think of it as specific to a single place. Though you wouldn't know it from looking, the two primary photos Kim worked from are shots of Istanbul, a city that's already a hodgepodge. Ragged apertures in many of the buildings allow for interior views, though it's unclear whether this is a trick of the artist's or the result of a disaster or attack.

All three collages share the same angles and planes, the same few people, and many of the same small details. But if these elements provide the basic structure of the compositions, the ways in which Kim fills in the gaps make up the works' substance. In the left-hand panel, walls are often replaced by Moorish-looking black-and-white geometric patterns. In the right-hand panel, things are even more radically displaced: The city appears about to disintegrate. The central panel, punctuated by luminous white spaces--blanks that leave it an unfinished puzzle--looks relatively stable at first. …

The rest of this article is only available to active members of Questia

Already a member? Log in now.

Notes for this article

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items
Notes
Cite this article

Cited article

Style
Citations are available only to our active members.
Buy instant access to cite pages or passages in MLA 8, MLA 7, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

(Einhorn 25)

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Note: primary sources have slightly different requirements for citation. Please see these guidelines for more information.

Cited article

Soo Kim: Pasadena Museum of California Art
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this article

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Help
Full screen
Items saved from this article
  • Highlights & Notes
  • Citations
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

matching results for page

    Questia reader help

    How to highlight and cite specific passages

    1. Click or tap the first word you want to select.
    2. Click or tap the last word you want to select, and you’ll see everything in between get selected.
    3. You’ll then get a menu of options like creating a highlight or a citation from that passage of text.

    OK, got it!

    Cited passage

    Style
    Citations are available only to our active members.
    Buy instant access to cite pages or passages in MLA 8, MLA 7, APA and Chicago citation styles.

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

    1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

    Cited passage

    Thanks for trying Questia!

    Please continue trying out our research tools, but please note, full functionality is available only to our active members.

    Your work will be lost once you leave this Web page.

    Buy instant access to save your work.

    Already a member? Log in now.

    Search by... Author
    Show... All Results Primary Sources Peer-reviewed

    Oops!

    An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.