Why Neil Young Is Wrong

By Smith-Said, Stephan | The Progressive, July 2006 | Go to article overview

Why Neil Young Is Wrong


Smith-Said, Stephan, The Progressive


On Sunday, May 14, the San Francisco Chronicle published my open letter to Neil Young, "Hey Neil Young, We Young Singers Are Hog-tied, Too. " I tried to explain how the corporatized music industry has censored protest music in the past several years. The letter went viral on the Internet, and I was flooded with enthusiastic responses from all kinds of people. Even Neil and his team posted it front and center on his blog for the entire week.

Who at prompted my letter ,and the outpouring was Young s comment about why he felt compelled to write his new anti-Bush album, Living with War. "I was waiting for someone to come along, some young singer eighteen-to-twenty-two years old, to write these songs and stand up," he told the Los Angeles Times. "I waited a long time. Then I decided that maybe the generation that has to do this is still the '60s generation. We're still here."

As the first protest singer to rise from the streets of anti-war and WTO protests and get a major worldwide distribution deal, I felt compelled to explain that today's Dylans, Ochses, and Neil Youngs are here, but they're being silenced by an industry that has for years derived its profits from kiddy porn and dreamy boys.

Just two days after my article came out, MTV, which has refused to play anti-war videos even by the biggest stars, published an article addressing the need for political consciousness in mainstream music. In a flourish of Bush-like hubris, one of the country's chief purveyors of military recruitment ads to youth posted the article, "Where Is the Voice of Protest in Today's Music?" The webpage boasted an Army video game in the bottom right corner. (MTV, by the way, refuses to air anti-war ads produced by organizations like Not In Our Name and Win Without War.)

Where's the voice of protest? It's in MTV's trash can.

Where are today's protest singers? They're on the "don't add" list at corporate radio stations, where they've increasingly been placed since FCC deregulation paved the way for the monopolization of the industry.

Just ask Scott Goodstein. He heads the great music/political advocacy group PunkVoter, which, with Fat Wreck Chords, released the Rock Against Bush compilation CDs. Those CDs, which included songs from Anti-Flag and Green Day, sold 650,000 copies combined. When Goodstein approached MTV about getting airtime for Rock Against Bush, they rebuffed him. "They told us, 'Your project's not relevant. Or, it's not mainstreamy enough,'" he says. "And Rolling Stone's no better." Meanwhile, Green Day's current anti-Bush album, American Idiot, has sold five million copies.

Finally waking up, MTV has the nerve to extol Green Day and include Anti-Flag in its story on political bands!

PunkVoter immediately posted a retort titled, "MTV, Still Completely Worthless," stating that political bands "will be there, waiting, when MTV is ready to start covering some protest music. Not that they're gonna."

Pete Seeger told me that the floodgates to freedom of expression were opened in the 1960s when the Broadway and Hollywood monopoly over the music industry was broken by Rock and Roll, Motown, and Nashville.

Now, the subsequent monopoly that Rock and Roll, Motown, and Nashville constructed is being broken by the Internet, where artists and organizations are creating networks that transcend corporate genres. …

The rest of this article is only available to active members of Questia

Already a member? Log in now.

Notes for this article

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items

Items saved from this article

This article has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this article

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this article

Cited article

Style
Citations are available only to our active members.
Buy instant access to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited article

Why Neil Young Is Wrong
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this article

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Help
Full screen

matching results for page

    Questia reader help

    How to highlight and cite specific passages

    1. Click or tap the first word you want to select.
    2. Click or tap the last word you want to select, and you’ll see everything in between get selected.
    3. You’ll then get a menu of options like creating a highlight or a citation from that passage of text.

    OK, got it!

    Cited passage

    Style
    Citations are available only to our active members.
    Buy instant access to cite pages or passages in MLA, APA and Chicago citation styles.

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

    1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

    Cited passage

    Thanks for trying Questia!

    Please continue trying out our research tools, but please note, full functionality is available only to our active members.

    Your work will be lost once you leave this Web page.

    Buy instant access to save your work.

    Already a member? Log in now.

    Author Advanced search

    Oops!

    An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.