Politics as Show Business Pizzazz
Byline: Peter Suderman, SPECIAL TO THE WASHINGTON TIMES
Hollywood has long been fascinated by the power of politics. It's hardly surprising: Politics, like the movies, works to ensnare and inspire the masses with larger-than-life personalities, epic narratives, and society-defining struggles. But often enough, supposedly "political" movies seem content to focus on the superficial, showy aspects of politics rather than the day-to-day grind of campaigning and governing.
Watching many films, you'd think elections and legislative battles were won entirely through speeches, debates, and television appearances rather than by the deal making, fundraising and complex policy decisions that drive politics in reality. It's probably only fitting, though, for an industry as narcissistic as the movies. By substituting self-righteous speechifying for action, Hollywood turns Washington into a version of itself, plying politics as show business.
Few movies make this as explicit as "Man of the Year," an awkward mix of satire and suspense that stars Robin Williams as a Jon Stewart-like talk show comedian who gets elected president of the United States. Running on a tide of support from the Internet (as if somehow enough activist e-mails can put someone into the White House), he espouses an anti-political party, anti-special interest group platform of broad, for-the-people populism, and, after a little prodding from his staff, delivers this message with a hefty dose of intentionally comedic snark.
Predictably, the movie passes this off as refreshing honesty - a willingness to depart from the solemn, partisan traditions of conventional politicking. But the logical inference to be drawn is that Washington's most dire need is an injection of crass Hollywood theatricality. The climactic final speech even occurs on a broadcast of "Saturday Night Live." What we really need to do to fix our political system, the film would have us believe, is cut out all the boring stuff - you know, like substance and ideas - and turn government into a laugh parade.
"Man of the Year," of course, is hardly the first movie to wish away the substance of politics in favor of impassioned rhetoric. The recent remake of "All the King's Men" showed fictional Louisiana governor Willie Stark rousing public support through a series of fiery speeches and little else - not even the pork barrel and patronage politics that often go hand in hand with populist demagoguery. …