Out of the Darkness; A Hong Kong Exhibit Offers a Rare Glimpse of the 12th-Century Masterpiece Known as 'China's Mona Lisa.'

By Seno, Alexandra A. | Newsweek International, July 16, 2007 | Go to article overview

Out of the Darkness; A Hong Kong Exhibit Offers a Rare Glimpse of the 12th-Century Masterpiece Known as 'China's Mona Lisa.'


Seno, Alexandra A., Newsweek International


Byline: Alexandra A. Seno

Even among the stuffy bureaucrats in Beijing, the Song dynasty ink-on-silk painting "Along the River During the Qingming Festival" has an affectionate nickname: "China's Mona Lisa." Though it's a landscape, not a portrait, "Qingming" has a mysterious allure that has captivated the popular imagination and spawned debate about its hidden meaning, much like da Vinci's fabled work. But unlike the "Mona Lisa," which is on view at the Louvre, "Qingming" has been seen only rarely by members of the public.

Now's their big chance. The stunning 12th-century work by the court artist Zhang Zeduan is making its first appearance outside the mainland as the star attraction of "The Pride of China," an exhibit of 32 important paintings from Beijing's Palace Museum (through Aug. 11) marking the 10th anniversary of Hong Kong's return to Chinese control. The five-meter-long "Qingming" scroll--named after the spring holiday for honoring ancestors--features more than 800 figures, 28 boats and 170 trees in a buzzing waterside city.

It captures scenes of everyday life in finely wrought detail: traders lead camels, heavy with merchandise, through the city gate. Sedan-chair bearers balance wealthy passengers through busy streets. Children scream for attention while elders engage in chitchat. Stevedores unload sacks of food from boats. A woman's laundry hangs from a roof. " 'Qingming' is a great ambassador for Chinese culture," says Maxwell Hearn, curator of Chinese painting at New York's Metropolitan Museum of Art, who recently visited Hong Kong in connection with the exhibit. "It has enormous popular appeal. You don't have to understand calligraphy, brush painting, poetry or symbolism which infuses so much of Chinese art with meaning. It is about humanity."

As an imperial treasure originally meant for the pleasure of the emperor and select members of his court, "Qingming" has always been inaccessible to the masses--which has only strengthened its appeal. …

The rest of this article is only available to active members of Questia

Already a member? Log in now.

Notes for this article

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items

Items saved from this article

This article has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this article

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this article

Cited article

Style
Citations are available only to our active members.
Buy instant access to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited article

Out of the Darkness; A Hong Kong Exhibit Offers a Rare Glimpse of the 12th-Century Masterpiece Known as 'China's Mona Lisa.'
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this article

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Help
Full screen

matching results for page

    Questia reader help

    How to highlight and cite specific passages

    1. Click or tap the first word you want to select.
    2. Click or tap the last word you want to select, and you’ll see everything in between get selected.
    3. You’ll then get a menu of options like creating a highlight or a citation from that passage of text.

    OK, got it!

    Cited passage

    Style
    Citations are available only to our active members.
    Buy instant access to cite pages or passages in MLA, APA and Chicago citation styles.

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

    1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

    Cited passage

    Thanks for trying Questia!

    Please continue trying out our research tools, but please note, full functionality is available only to our active members.

    Your work will be lost once you leave this Web page.

    Buy instant access to save your work.

    Already a member? Log in now.

    Oops!

    An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.