The Access Principle: The Case for Open Access to Research and Scholarship, by John Willinsky. MIT Press/287 pp./$34.95 (sb).
Agitate! Educate! Organize! American Labor Posters, by Lincoln Cushing and Timothy W. Drescher. Cornell University Press/205 pp./$24.95 (sb).
American Cinema of the 1920s: Theme and Variations, edited by Lucy Fischer. Rutgers University Press/291 pp./$24.95 (sb).
Art and Contemporary Critical Practice: Reinventing Institutional Critique, edited by Gerald Rauning and Gene Ray. MayFlyBooks/266 pp./price unavailable (sb).
Art and the End of Apartheid, by John Peffer. University of Minnesota Press/339 pp./$29.95 (sb).
Art for a Modern India, 1947-1980, by Rebecca M. Brown. Duke University Press/196 pp./$22.95 (sb).
Artists with PhDs: On the New Doctoral Degree in Studio Art, edited by James Elkins. New Academia Publishing/292 pp./$28.00 (sb).
Fotosport 2008, by Obres Premiades/144 pp./price unavailable (sb).
Ghostlife of the Third Cinema: Asian American Film and Video, by Glen M. Mimura. University of Minnesota Press/192 pp./$22.50(sb).
Hollywood Speaks Out: Pictures that Dared to Protest Real World Issues, by Robert L. Hilliard. Wiley-Blackwell/261 pp./$29.95 (sb).
The Imperial Trace: Recent Russian Cinema, by Nancy Condee. Oxford University Press/352 pp./$26.95 (sb).
The Indian Craze: Primitivism, Modernism, and Transculturation in American Art, 1890-1915, by Elizabeth Hutchinson. Duke University Press/277 pp./$24.95 (sb).
In Excess: Sergei Eisenstein's Mexico, by Masha Salazkina. The University of Chicago Press/221 pp./$40.00 (hb). …