Chris Ofili: DAVID ZWIRNER

By Richard, Frances | Artforum International, January 2010 | Go to article overview

Chris Ofili: DAVID ZWIRNER


Richard, Frances, Artforum International


Although Chris Ofili's recent show, "Afro Margin," was grandly installed in one of David Zwirner's soaring galleries, it consisted simply of a modest suite of eight pencil drawings, made between 2004 and 2007. The materials, too, were pared down in comparison with his previous work--no superheated color or reflective resins, no glitter, no elephant dung. This did not preclude the visual syncopation for which Ofili is famous. Still, "Afro Margin" emphasized, or resynthesized, two motifs long of interest to the British artist: the hypertrophic Afro head and the cascade of scintillant dots. Skillful and suggestive in spite of their slightness, the drawings demonstrate what Ofili can do minus his main means. "Recession art," some might murmur. Maybe, but more important, the series apparently serves to screen a transition in the artist's work; according to the catalogue, this is the last time he will use Afro heads. The drawings also accompany a geographic shift, away from the art capitals where Ofili's reputation was established: Shortly after the series was begun, the artist moved to Trinidad. Clearly, margins and centers remain on his mind.

Each image in the series (also titled "Afro Margin") presents vertical rows of repeating elements that, from a few paces off, present abstract black circles and oblongs; these alternate with passages of curving concentric lines that flow sideways while also stacking up and down. The finely patterned marks beckon the viewer closer, until the black blobs resolve as tiny yet ballooning masses of hair, under which hang notional faces. Some drawings boast more than one row of 'fros, and some heads are bigger or bushier than others. The relative weight of black and white space changes from sheet to sheet; the expanse of rivulet-like lines narrows or widens and is more or less unruly; the chains or skeins of heads slide toward one or the other edge of a given page. …

The rest of this article is only available to active members of Questia

Already a member? Log in now.

Notes for this article

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items
Notes
Cite this article

Cited article

Style
Citations are available only to our active members.
Buy instant access to cite pages or passages in MLA 8, MLA 7, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

(Einhorn 25)

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Note: primary sources have slightly different requirements for citation. Please see these guidelines for more information.

Cited article

Chris Ofili: DAVID ZWIRNER
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this article

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Help
Full screen
Items saved from this article
  • Highlights & Notes
  • Citations
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

matching results for page

    Questia reader help

    How to highlight and cite specific passages

    1. Click or tap the first word you want to select.
    2. Click or tap the last word you want to select, and you’ll see everything in between get selected.
    3. You’ll then get a menu of options like creating a highlight or a citation from that passage of text.

    OK, got it!

    Cited passage

    Style
    Citations are available only to our active members.
    Buy instant access to cite pages or passages in MLA 8, MLA 7, APA and Chicago citation styles.

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

    1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

    Cited passage

    Thanks for trying Questia!

    Please continue trying out our research tools, but please note, full functionality is available only to our active members.

    Your work will be lost once you leave this Web page.

    Buy instant access to save your work.

    Already a member? Log in now.

    Search by... Author
    Show... All Results Primary Sources Peer-reviewed

    Oops!

    An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.