Galileo Connecticut Repertory Theatre

American Theatre, September 2010 | Go to article overview

Galileo Connecticut Repertory Theatre


Gary M. English, DIRECTION: Our production of Galileo was conceived to challenge the political myths associated with Brecht's era as well as Galileo's. Brecht is interested in blowing up myths, including our political and economic assumptions about the way things are. To do this, he challenges the historical myth of Galileo as the martyred hero of Science, in part (as Eric Bentley points out) by inventing a Galileo who is a coward. His cowardice, however, also calls into question other myths, such as the good work of the Church and the development of the atomic bomb as an instrument of peace rather than of economic domination. Galileo was written and rewritten many times, in part because Brecht's target shifted from Nazi Germany to the post-World War II dangers of a cold war fueled by atomic weapons. With the situation in Iran and Israel now, one can hardly say that these questions have been settled. On another level, Brecht challenges formal and traditional dramatic structure. By using unconventional imagery and mixing periods and styles, we show how the play is dealing with our era and not just the 17th century.

[ILLUSTRATION OMITTED]

[ILLUSTRATION OMITTED]

Rachel Levey, SET DESIGN: I saw Galileo's world as a series of domes. First there was the dome of the sky: When Galileo looks up, he sees vast expanses of space--his search for truth takes him far beyond the "ceiling" perceived by the society of his time. The opposing dome is that of the cathedral ceiling, which represents the Church's repression of Galileo's search for scientific truth. …

The rest of this article is only available to active members of Questia

Already a member? Log in now.

Notes for this article

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items
Notes
Cite this article

Cited article

Style
Citations are available only to our active members.
Buy instant access to cite pages or passages in MLA 8, MLA 7, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

(Einhorn 25)

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Note: primary sources have slightly different requirements for citation. Please see these guidelines for more information.

Cited article

Galileo Connecticut Repertory Theatre
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this article

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Help
Full screen
Items saved from this article
  • Highlights & Notes
  • Citations
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

matching results for page

    Questia reader help

    How to highlight and cite specific passages

    1. Click or tap the first word you want to select.
    2. Click or tap the last word you want to select, and you’ll see everything in between get selected.
    3. You’ll then get a menu of options like creating a highlight or a citation from that passage of text.

    OK, got it!

    Cited passage

    Style
    Citations are available only to our active members.
    Buy instant access to cite pages or passages in MLA 8, MLA 7, APA and Chicago citation styles.

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

    1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

    Cited passage

    Thanks for trying Questia!

    Please continue trying out our research tools, but please note, full functionality is available only to our active members.

    Your work will be lost once you leave this Web page.

    Buy instant access to save your work.

    Already a member? Log in now.

    Search by... Author
    Show... All Results Primary Sources Peer-reviewed

    Oops!

    An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.