Clint Squints at the Afterlife

By Ansen, David | Newsweek, October 18, 2010 | Go to article overview

Clint Squints at the Afterlife


Ansen, David, Newsweek


Byline: David Ansen

At 80, this surprising director continues to throw us curves.

Clint Eastwood flirted with the supernatural in his allegorical Western Pale Rider, but nothing in his career prepares us for his haunting and haunted Hereafter, a bold, strange, problematic investigation into the nature of the afterlife. At 80, he continues to throw us curves, abandoning the safety of genre for an unconventionally structured story about mortality, loneliness, and the relationship between the living and the dead.

Just to further mix things up, Eastwood opens his movie with the most spectacular action sequence he's ever mounted--a terrifying tsunami wreaking havoc on a tropical island that would be the crowning achievement of any epic disaster movie. Here it's more a stunning feat of misdirection, for the tale that follows is intimate and often hushed.

Caught in the tsunami is the first of the three characters whose fates Hereafter follows, a French television host (Cecile De France) who dies in the storm and then miraculously comes back to life. But her glimpse of the beyond makes it impossible for her to reenter her old life as a Parisian celebrity; instead, she becomes obsessed with writing a book about the eerily similar after-death experiences others have endured, a pursuit that costs her credibility in the eyes of her sophisticated friends. As her unhappy publisher notes, it's a topic more suited to the American market.

The second strand in Peter Morgan's screenplay concerns George (Matt Damon), a reclusive psychic who can communicate with the dead--a gift he's come to regard as a curse. Though his ambitious brother (Jay Mohr) wants him to parlay this talent into a fortune, George has withdrawn into a blue-collar job and a solitary existence in San Francisco. …

The rest of this article is only available to active members of Questia

Already a member? Log in now.

Notes for this article

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items

Items saved from this article

This article has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this article

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this article

Cited article

Style
Citations are available only to our active members.
Buy instant access to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited article

Clint Squints at the Afterlife
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this article

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Help
Full screen

matching results for page

    Questia reader help

    How to highlight and cite specific passages

    1. Click or tap the first word you want to select.
    2. Click or tap the last word you want to select, and you’ll see everything in between get selected.
    3. You’ll then get a menu of options like creating a highlight or a citation from that passage of text.

    OK, got it!

    Cited passage

    Style
    Citations are available only to our active members.
    Buy instant access to cite pages or passages in MLA, APA and Chicago citation styles.

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

    1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

    Cited passage

    Thanks for trying Questia!

    Please continue trying out our research tools, but please note, full functionality is available only to our active members.

    Your work will be lost once you leave this Web page.

    Buy instant access to save your work.

    Already a member? Log in now.

    Author Advanced search

    Oops!

    An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.