Music Received

By Knapp, David | Notes, September 2012 | Go to article overview

Music Received


Knapp, David, Notes


INTRODUCTION

This column presents a comprehensive list of new music publications that have been sent recently by publishers and distributors for possible review in Notes. Self-published music is listed when a source of acquisition is provided. The primal), aim of the column is to provide brief listings of a broad range of new editions of music, thereby assisting in selection and ordering for libraries or personal collections. After the listing is prepared, the publications are sent selectively to David Gilbert, the "Music Reviews" column editor.

ORGANIZATION AND SCOPE NOTES

Scholarly & Historical Editions: Primarily volumes of collected editions and monumental series. Extensive critical apparatus is generally assumed and therefore not noted in the entries.

Facsimile Editions: Limited to publications presenting a reproduction of an item that emphasizes its nature as a primary source rather than its simple intellectual content.

Orchestral Music: Works for full and chamber orchestra, and chamber groups of more than nine players. Full scores of concertos are included, but reductions for solo instrument(s) with keyboard are listed in the appropriate chamber music category.

Band Music: Brass and wind ensemble music intended for more than one player to a part, and wind chamber groups of more than nine players.

Choral Music: Includes all types of nondramatic choral works, in full scores or vocal scores.

Dramatic Music: Operas, musicals, and ballets, in full or vocal scores.

Chamber Music with Strings; Chamber Music without Strings: Duets through nonets other than one instrument with keyboard. "Strings" includes harp and guitar, but excludes keyboard instruments.

String Instrument with Keyboard; Wood-wind Instrument with Keyboard; Brass Instrument with Keyboard: Includes reductions for one solo instrument with keyboard (including organ). Music for more than one instrument with keyboard is listed as Chamber Music. Music for solo instrument with basso continuo is listed here, however, since the bass pan is often presented as optional or for a choice of instruments.

Solos for Bowed or Plucked Strings, Unaccompanied; Solos for Wind Instruments, Unaccompanied: Music for single solo instrument. Studies are included here unless they are technical exercises, orchestral studies, or methods.

Music for Organ: Solo organ music, duets, arrangements, and reductions.

Music for Piano or Harpsichord: For any keyboard instrument other than organ. Includes solo music and like-instrument ensembles such as 4-hand piano and 2-piano duets, keyboard reductions of piano concertos, and larger keyboard ensembles.

Music for Percussion: Includes percussion solos (with or without keyboard accompaniment) and ensembles. Chamber music with other instruments is listed in the appropriate category above.

Music for Voice: Music for one or more solo voices (one singer per part) with any accompaniment, including chamber ensemble. Opera excerpts, such as collections of arias, are included, but complete opera vocal scores are listed under Dramatic Music. Other works for solo voices with chorus are listed tinder Choral Music.

Methods and Studies: Includes method books, technical exercises, and orchestral studies; studies that might be used in performance are listed above as solo music.

Music for Children: Materials designed for study and performance by children of preschool or elementry school age.

Miscellaneous: For music that defies inclusion in the categories above.

CITATION STYLE

Citations include publishers' numbers or plate numbers, ISBN, and ISMN, where available. In order to keep the citations brief, description of introductory notes, critical reports, etc., is not included unless the material is considered unusual for the type of publication, or an indication of languages is warranted. …

The rest of this article is only available to active members of Questia

Sign up now for a free, 1-day trial and receive full access to:

  • Questia's entire collection
  • Automatic bibliography creation
  • More helpful research tools like notes, citations, and highlights
  • Ad-free environment

Already a member? Log in now.

Notes for this article

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items

Items saved from this article

This article has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this article

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this article

Cited article

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited article

Music Received
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this article

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Help
Full screen

matching results for page

    Questia reader help

    How to highlight and cite specific passages

    1. Click or tap the first word you want to select.
    2. Click or tap the last word you want to select, and you’ll see everything in between get selected.
    3. You’ll then get a menu of options like creating a highlight or a citation from that passage of text.

    OK, got it!

    Cited passage

    Style
    Citations are available only to our active members.
    Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

    1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

    Cited passage

    Thanks for trying Questia!

    Please continue trying out our research tools, but please note, full functionality is available only to our active members.

    Your work will be lost once you leave this Web page.

    For full access in an ad-free environment, sign up now for a FREE, 1-day trial.

    Already a member? Log in now.