The Four Square Laundry: Participant Observation in a War Zone (*)

By Dowler, Lorraine | The Geographical Review, January-April 2001 | Go to article overview

The Four Square Laundry: Participant Observation in a War Zone (*)


Dowler, Lorraine, The Geographical Review


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I awoke one morning to see him in my bedroom pointing [a submachine gun] at me. "Right," he said, "you're a Four Square Laundry job." This was an allusion to being an army spy.

Frank Burton, quoted in Jeffrey A. Sluka, 1995

Thanks to his dangerous and frightening experiences in West Belfast, Frank Burton's ethnographic research on Northern Ireland is considered legendary. (1) At first glance the incident Burton describes would seem mad to anyone who has not spent time living and working in the Catholic ghettos of Belfast. However, as alarming as this event may seem, it speaks more to the rapport Burton established with his respondents than to the perils of fieldwork. In actuality this was a prank brought about by one of his Irish Republican Army (IRA) informants.

The hazing of researchers is a common practice in Belfast, and anyone who conducts inquiries of this nature is bound to collect a few such "war stories" (Sluka 1989, 1995). The obvious reason for such a vetting is that the IRA feared that a British undercover operative disguised as an academic would infiltrate the organization. Having said that, I believe that researchers are not only checked out as potential spies but also tested to see whether they have the "salt" to stick it out when the political atmosphere makes day-to-day life difficult. In other words, the researcher has to prove that, when placed in a life-threatening situation, even for just a moment, she or he won't simply pack up and go home.

There are obvious dangers in conducting participant observation in a violent social context. However, the researcher "not only observes the behavior of the group that she or he is studying, but also participates, as much as possible, in the daily lives of the community members" (Dowler 1999, 195). When I lived in Belfast, it was still a turbulent and violent study area. (2) The violence notwithstanding, uneventful encounters with one's respondents, even notorious ones, were the earmark of participant observation (Dowler 2001). When you live and work within a community for an extended period of time you acquire local knowledge. To my surprise, community members would often point out individuals who were "involved," which was usually accompanied with a humorous tale that, interestingly, never related to their status as an IRA volunteer. (3) A neighbor might point someone out as a volunteer but then proceed to tell how he or she sings off-key after "a couple of pints." Many former IRA volunteers readily identifi ed themselves to me once I started frequenting a local prisoners' club (a private club for former political prisoners). I heard about which university their children would attend in the fall and their holiday plans (Dowler 2001). Such open-ended interviews, rooted in respondents' everyday lives, are more productive than the highly sensationalized image of the researcher in a clandestine meeting, with hooded and armed men, an image adopted by reporters and some academics to introduce "how they made contact with the IRA.

Although there is a great deal of research on how to put a respondent at ease, there is little discussion about how to make the interview comfortable and safe for the researcher. By getting to know my respondents in a mundane setting I felt far more comfortable delving into more political and personal areas, including reflections on their participation in political violence. I simply would have never asked these types of questions in a more threatening setting. Knowing my respondents, I shed my preconceptions of them as agents of violence. The irony is palpable: Conducting participant observation, one might expect to be living on the edge, but instead one simply lives with the threat of violence as part of workaday life.

REPRESENTING THE FIELD

Asked to include in this essay a photograph of myself in the field, I canvassed the images I had collected over the years. …

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