Sex, Drugs & Techno Music: Why the Rap against Ecstasy Has a Familiar Ring to It

By Sullum, Jacob | Reason, January 2002 | Go to article overview

Sex, Drugs & Techno Music: Why the Rap against Ecstasy Has a Familiar Ring to It


Sullum, Jacob, Reason


LAST SPRING, THE Chicago City Council decided "to crack down on wild rave parties that lure youngsters into environments loaded with dangerous club drugs, underage drinking and sometimes predatory sexual behavior," as the Chicago Tribune put it. The newspaper described raves as "one-night-only parties...often held in warehouses or secret locations where people pay to dance, do drugs, play loud music, and engage in random sex acts." Taking a dim view of such goings-on, the city council passed an ordinance threatening to jail building owners or managers who allowed raves to be held on their property. Mayor Richard Daley took the occasion to "lash out at the people who produce the huge rogue dance parties where Ecstasy and other designer drugs are widely used." In Daley's view, rave promoters were deliberately seducing the innocent. "They are after all of our children," he warned. "Parents should be outraged by this."

The reaction against raves reflects familiar anxieties about what the kids are up to, especially when it comes to As the chemical symbol of raves, MDMA-a.K.a. Ecstasy--has come to represent sexual abandon and, partly through association with other "club drugs," sexual assault. These are not the only fears raised by MDMA. The drug, whose full name is methylenedioxymethamphetamine, has also been accused of causing brain damage and of leading people astray with ersatz feelings of empathy and euphoria (concerns discussed later in this article). But the sexual angle is interesting because it has little to do with the drug's actual properties, a situation for which there is considerable precedent in the history of reputed aphrodisiacs.

A relative of both amphetamine and mescaline, MDMA is often described as a stimulant with psychedelic qualities. But its effects are primarily emotional, without the perceptual changes caused by LSD. Although MDMA was first synthesized by the German drug company Merck in 1912, it did not gain a following until the 1970s, when the psychonautical chemist Alexander Shulgin, a Dow researcher turned independent consultant, tried some at the suggestion of a graduate student he was helping a friend supervise. "It was not a psychedelic in the visual or interpretive sense;' he later wrote, "but the lightness and warmth of the psychedelic was present and quite remarkable." MDMA created a "window," he decided. "It enabled me to see out, and to see my own insides, without distortions or reservations."

After observing some striking examples of people who claimed to have overcome serious personal problems (including a severe stutter and oppressive guilt) with the help of MDMA, Shulgin introduced the drug to a psychologist he knew who had already used psychedelics as an aid to therapy. "Adam;' the pseudonym that Shulgin gave him (also a nickname for the drug), was on the verge of retiring, but was so impressed by MDMA's effects that he decided to continue working. He shared his techniques with other psychologists and psychiatrists, and under his influence thousands of people reportedly used the drug to enhance communication and self-insight. "It seemed to dissolve fear for a few hours," says a psychiatrist who tried MDMA in the early '80s. "I thought it would have been very useful for working with people with trauma disorders." Shulgin concedes that there was "a hint of snake-oil" in MDMA's reputed versatility, but he himself considered it "an incredible tool." He quotes one psychiatrist as saying, "MDMA is penicillin for the soul, and you don't give up penicillin, once you've seen what it can do."

Shulgin did not see MDMA exclusively as a psychotherapeutic tool. He also referred to it as "my low-calorie martini," a way of loosening up and relating more easily to others at social gatherings. This aspect of the drug came to the fore in the '80s, when MDMA became popular among nightclubbers in Texas, where it was marketed as a party drug under the name Ecstasy. The open recreational use of Ecstasy at clubs in Dallas and Austin brought down the wrath of the Drug Enforcement Administration, which decided to put MDMA in the same legal category as heroin. …

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Sex, Drugs & Techno Music: Why the Rap against Ecstasy Has a Familiar Ring to It
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