Fang Fever! Vampires Have Invaded Popular Culture

By Nancy Pate Of the Orlando Sentinel | St Louis Post-Dispatch (MO), October 30, 1994 | Go to article overview

Fang Fever! Vampires Have Invaded Popular Culture


Nancy Pate Of the Orlando Sentinel, St Louis Post-Dispatch (MO)


FORGET the wooden stake. Don't bother with the crucifix or worry with the holy water. As for the garlic, it's just going to make people turn up their noses at you.

Face it - there's no protection from vampires this year. The immortal bloodsuckers have turned into popular-culture leeches. No need to travel to Transylvania. They're hanging out at the movies, on television, at the bookstores, in role-playing games and comic books. And as Halloween approaches, along with the premiere next month of the film adaptation of Anne Rice's "Interview With the Vampire," fang fever is at a peak.

"More people are being entertained by vampires now than at any other point in history," said horror historian David Skal, author of "The Monster Show: A Cultural History of Horror" (Penguin, $13.95 paperback, 432 pages) and a special consultant for Universal Studios Florida. "Vampires have always had a kind of special place in our hearts, but they're especially popular right now."

Although stories of vampires have been around for more than 2,000 years, the creatures' current appeal was born almost a century ago when Bram Stoker published his novel "Dracula" in 1897. The same elements that drew the Victorians to Stoker's vampire tale - sex, death and violence - still nourish a strong fascination.

"There are two things that hook you about vampires," said J. Gordon Melton, a California scholar and the author of a monumental new reference work, "The Vampire Book: The Encyclopedia of the Undead" (Visible Ink, $16.95 paperback, 852 pages).

"First, in a secular society, vampires are a way of living on. Second, there's the sexuality. Vampires have become increasingly erotic figures. Think of Frank Langella's portrayal of Dracula and last year's Coppola film, `Bram Stoker's Dracula.' "

The perceived eroticism of vampires, he said, makes them especially attractive to women, who outnumber men two to one when it comes to reading vampire books and joining vampire fan clubs. And the vampire's traditional role as an outsider serves as a magnet to teens and young adults who are still seeking a sense of identity and a place in society.

Skal concurs, but he also sees blood as a major factor drawing people to vampires.

"It's a powerful, powerful symbol," he said. "Over time, blood has stood for death, birth, passion, sexuality. It's our link to our families, to the past and to the future."

But he also notes that vampires are archetypal figures who represent secret desires.

"They're pure wish fulfillment," he said. "You get to be a handsome aristocrat, forever youthful, have a fabulous wardrobe, unlimited wealth and a castle in Europe. It's what we secretly want, right? It's the American dream.

"More seriously, though, vampires and other monsters symbolically address universal issues. They're resurrection figures - they die and they don't die."

The immortality of vampires is especially important in our era, said Candy Cosner, publisher of the Gainesville, Fla., fanzine Vampire Junction, which prints vampire fiction, poetry and art.

"In the age of AIDS, people are drawn to vampires," she said. "It's interesting because the last time there was such an upswing in interest was during the late 1950s and early 1960s and the beginning of the atomic age. People were scared then, and they're scared now."

But they aren't scared of vampires, unlike people hundreds of years ago who truly believed that the dead returned by night to feed off the blood of the living. Accounts of such creatures, called "vampir" or "vampyre" in Serbia, were widespread in Eastern Europe from the 16th through the 18th centuries, and the concept of vampires became part of the folklore of the Slavic regions.

"In the late 1600s, Catholic Austria was spreading into Central and Eastern Europe," Melton said. "The Catholics saw belief in vampires as superstition, and they viewed it with alarm. They certainly didn't like the way people dealt with suspected vampires, which was to go out and dig up bodies and start staking them - mutilating bodies of the Christian dead. …

The rest of this article is only available to active members of Questia

Already a member? Log in now.

Notes for this article

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items
Notes
Cite this article

Cited article

Style
Citations are available only to our active members.
Buy instant access to cite pages or passages in MLA 8, MLA 7, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

(Einhorn 25)

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Note: primary sources have slightly different requirements for citation. Please see these guidelines for more information.

Cited article

Fang Fever! Vampires Have Invaded Popular Culture
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this article

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Help
Full screen
Items saved from this article
  • Highlights & Notes
  • Citations
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

matching results for page

    Questia reader help

    How to highlight and cite specific passages

    1. Click or tap the first word you want to select.
    2. Click or tap the last word you want to select, and you’ll see everything in between get selected.
    3. You’ll then get a menu of options like creating a highlight or a citation from that passage of text.

    OK, got it!

    Cited passage

    Style
    Citations are available only to our active members.
    Buy instant access to cite pages or passages in MLA 8, MLA 7, APA and Chicago citation styles.

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

    1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

    Cited passage

    Thanks for trying Questia!

    Please continue trying out our research tools, but please note, full functionality is available only to our active members.

    Your work will be lost once you leave this Web page.

    Buy instant access to save your work.

    Already a member? Log in now.

    Search by... Author
    Show... All Results Primary Sources Peer-reviewed

    Oops!

    An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.