Digital Age Breathes New Life into Lost Art of the Short Story ; Writers Return to Genre as Internet Offers Outlet, Exposure and Revenue
Kaufman, Leslie, International Herald Tribune
Story collections are experiencing a resurgence, driven by a proliferation of digital options that offer writers creative opportunities, exposure and revenue.
The Internet may be disrupting much of the book industry, but for short-story writers it has been a good thing.
Story collections, an often underappreciated literary cousin of novels, are experiencing a resurgence, driven by a proliferation of digital options that offer not only new creative opportunities but exposure and revenue as well.
Already, 2013 has yielded an unusually rich crop of short-story collections, including George Saunders's "Tenth of December," which arrived in January with a media splash normally reserved for Hollywood movies and moved quickly onto the best-seller lists. Tellingly, many of the current and forthcoming collections are not from authors like Mr. Saunders, who have always preferred short stories, but from best-selling novelists like Tom Perrotta, who are returning to the form.
Recent and imminent releases include "Vampires in the Lemon Grove," by Karen Russell, whose 2011 novel, "Swamplandia!," was a finalist for the Pulitzer Prize; "Damage Control," a first collection by Amber Dermont, whose novel "The Starboard Sea" was a best seller in 2012; and another first story collection, "We Live in Water," by Jess Walter, just off his best-selling novel "Beautiful Ruins" (2012).
"It is the culmination of a trend we have seen building for five years," said Cal Morgan, the editorial director of Harper Perennial Originals, who until last year ran a blog called Fifty-Two Stories, devoted to short fiction. "The Internet has made people a lot more open to reading story forms that are different from the novel, and you see a generation of writers very engaged in experimentation."
In recent decades the traditional outlets for individual short stories have dwindled, with literary magazines closing or shrinking. But the Internet has created an insatiable maw to feed.
Amazon, for instance, created its Kindle Singles program in 2011 for publishing short fiction and nonfiction brief enough to be read in less than two hours. Although the list price is usually modest, a dollar or two, authors keep as much as 70 percent of the royalties, welcome revenue for fledgling authors and a potentially big payoff for well-known writers.
In addition, a group of smaller Internet publishers, like Byliner, are snapping up short fiction and gaining traction as distributors of stories. And the shorter format, writers say, is a good fit for the small screens that people are increasingly using to read.
"The single-serving quality of a short narrative is the perfect art form for the digital age," said Ms. Dermont, whose collection is due out next month. "Stories are models of concision, can be read in one sitting, and are infinitely downloadable and easily consumed on screens."
Stories are also perfect for the digital age, she added, because readers "want to connect and want that connection to be intense and to move on." That is, after all, what a short story is all about.
Mr. Morgan said that years of editing short fiction for his blog had shown him that digital communication was influencing writers just coming of age.
"The generation of writers out of college in the last few years has been raised to engage with words like no generation before," he said. …