AMPAS Event Celebrates the History of Digital Animation

Screen International, May 3, 2012 | Go to article overview

AMPAS Event Celebrates the History of Digital Animation


Panel to be presented May 21 in Los Angeles.

The Academy Of Motion Pictures Arts & Sciences (AMPAS) will present a panel moderated by animator and film historian Tom Sito, called "The Development of the Digital Animator" on Monday, May 21, 7:30pm, at its Samuel Goldwyn Theater in Beverly Hills.

The panel will be the key event of the 18th Marc Davis Celebration of Animation. The first Marc Davis Lecture took place in 1994 with Marc Davis, one of Disney's "Nine Old Men", the inaugural guest. Each year, the Academy explores a new angle on animation in the cinema. Past Marc Davis Lecture guests have included Chuck Jones, Nick Park, The Brothers Quay, Hiyao Miyazaki, and John Lasseter, and topics have included "Japanese Anime and its Influences", "Canadian Women in Animation", "Mentorship in Animation" and "Voice Actors in Animation".

"The Development Of The Digital Animator" will examine digital animation in the cinema, from its early use in Saul Bass's title sequence for Hitchcock's Vertigo to more ambitious experiments in the 1970s and 80s, to modern 3D CG animation.

The scheduled panelists, which include major pioneers in the field of digital animation, are:

Rebecca Allen, an experimental filmmaker who has worked at the New York Institute of Technology and MIT. She collaborated on The Catherine Wheel with Twyla Tharp and made landmark music videos for Kraftwerk, Mark Mothersbaugh and Peter Gabriel. She currently holds a professorship in the Department of Design|Media Arts at UCLA.

Philippe Bergeron, a CG animator and landscape designer who teamed up with Daniel Langlois and two other directors to create one of the first CG characters in the 1985 short Tony de Peltrie. He has worked at Digital Productions and Whitney/Demos Productions and is president of PaintScaping Inc.

David Em, who began producing digital art in the 1970s and has worked as an independent artist in such research laboratories as the Xerox Palo Alto Research Center, NASA's Jet Propulsion Laboratory and Apple Computer's Advanced Technology Group. He is the first digital artist to have his papers collected and preserved by the Smithsonian Institution's Archives of American Art. …

The rest of this article is only available to active members of Questia

Already a member? Log in now.

Notes for this article

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items
Notes
Cite this article

Cited article

Style
Citations are available only to our active members.
Buy instant access to cite pages or passages in MLA 8, MLA 7, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

(Einhorn 25)

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Note: primary sources have slightly different requirements for citation. Please see these guidelines for more information.

Cited article

AMPAS Event Celebrates the History of Digital Animation
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this article

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Help
Full screen
Items saved from this article
  • Highlights & Notes
  • Citations
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

matching results for page

    Questia reader help

    How to highlight and cite specific passages

    1. Click or tap the first word you want to select.
    2. Click or tap the last word you want to select, and you’ll see everything in between get selected.
    3. You’ll then get a menu of options like creating a highlight or a citation from that passage of text.

    OK, got it!

    Cited passage

    Style
    Citations are available only to our active members.
    Buy instant access to cite pages or passages in MLA 8, MLA 7, APA and Chicago citation styles.

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

    1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

    Cited passage

    Thanks for trying Questia!

    Please continue trying out our research tools, but please note, full functionality is available only to our active members.

    Your work will be lost once you leave this Web page.

    Buy instant access to save your work.

    Already a member? Log in now.

    Search by... Author
    Show... All Results Primary Sources Peer-reviewed

    Oops!

    An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.