Cannes: Works-in-Progress Revealed

By Wiseman, Andreas | Screen International, July 21, 2015 | Go to article overview

Cannes: Works-in-Progress Revealed


Wiseman, Andreas, Screen International


The Cannes Film Festival's Marché (May 13-25) is to host films from the Dubai Film Market and Mexico's Guadalajara festival among its works-in-progress line-up.

Run in collaboration with regional film festivals and markets from around the world, the post-production projects are screened to sales agents, distributors and festival delegates in Cannes, with filmmakers giving a 10-15 minute introduction before excerpts from their films.

Partners for the three showcases this year are the Dubai International Film Festival and market, the Buenos Aires Festival of Independent Cinema (BAFICI) and the Guadalajara International Film Festival.

Titles to be screened under the Dubai Film Market Goes to Cannes banner hail from Palestine to Tunisia:

The Curve (Jordan)

Dir: Rifqi Assaf

Pro: Rula Nasser

Medina (Palestine/Denmark)

Dir: Omar Sharqawi

Pro: Rula Nasser

Borders Of Heaven (fka A Full Moon Night) (Tunisia)

Dir: Fares Naanaa

Pro: Habib Attia

The Other Side Of November (Lebanon/Canada)

Dir/pro: Maryanne Zéhil

3,000 Nights (Lebanon)

Dir: Mai Masri

Pro: Sabine Sidawi

The Guadalajara Goes to Cannes: Five Films from Latin America strand will include the following films and further entries to be added at a later date:

Almacendados (Mexico)

Dir: Jack Zagha

Pro: Elsa Reyes (Zensky Cine)

El Peluquero Romantico (Mexico)

Dir: Iván Ávila Dueñas

Pro: Ozcar Ramirez (Arte Mecanica)

Los Parecidos (Mexico)

Dir: Isaac Ezban

The Marché will also be presenting, in tandem with BAFICI, the Buenos Aires Lab Goes to Cannes: Five Films from Latin America showcase. …

The rest of this article is only available to active members of Questia

Already a member? Log in now.

Notes for this article

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items
Notes
Cite this article

Cited article

Style
Citations are available only to our active members.
Buy instant access to cite pages or passages in MLA 8, MLA 7, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

(Einhorn 25)

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Note: primary sources have slightly different requirements for citation. Please see these guidelines for more information.

Cited article

Cannes: Works-in-Progress Revealed
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this article

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Help
Full screen
Items saved from this article
  • Highlights & Notes
  • Citations
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

matching results for page

    Questia reader help

    How to highlight and cite specific passages

    1. Click or tap the first word you want to select.
    2. Click or tap the last word you want to select, and you’ll see everything in between get selected.
    3. You’ll then get a menu of options like creating a highlight or a citation from that passage of text.

    OK, got it!

    Cited passage

    Style
    Citations are available only to our active members.
    Buy instant access to cite pages or passages in MLA 8, MLA 7, APA and Chicago citation styles.

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

    1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

    Cited passage

    Thanks for trying Questia!

    Please continue trying out our research tools, but please note, full functionality is available only to our active members.

    Your work will be lost once you leave this Web page.

    Buy instant access to save your work.

    Already a member? Log in now.

    Search by... Author
    Show... All Results Primary Sources Peer-reviewed

    Oops!

    An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.