Sam Claflin on 'Journey's End' and Playing "Damaged" Characters

By Gant, Charles | Screen International, November 24, 2017 | Go to article overview

Sam Claflin on 'Journey's End' and Playing "Damaged" Characters


Gant, Charles, Screen International


Screen talks to the actor about his passion for RC Sherriff’s 1928 play.

Sam Claflin in Journey’s End

For Sam Claflin, it was seeing Journey’s End on the stage that first ignited his passion to play the role of young First World War officer Captain Stanhope. The Suffolk-born actor was in his second year at London acting school Lamda when students in the graduating year presented the 1928 RC Sherriff play.

“I just remember being completely spellbound,” says Claflin. “Being completely in awe, not only of the performances, but the story and the characters and the relationships and the world that was created. I remember sitting there in the audience thinking, ‘I have to do this play. I have to somehow find a way of doing this professionally.’”

That chance seemed to come when theatre director David Grindley, who had mounted a successful version of the play in 2004, sounded out Claflin about starring in a revival. “We sat in the Groucho, and I was basically swearing, very excited,” recalls the actor. “But we couldn’t. I was in the middle of doing The Hunger Games. There was an array of scheduling conflicts.”

Instead, the 2010 Screen International Star of Tomorrow became attached to a film version, adapted by Simon Reade and produced by Reade and Guy de Beaujeu - who had previously collaborated on the 2012 film version of Michael Morpurgo’s First World War novel Private Peaceful. After two years of rather tentative momentum, the film finally came together for a pre-Christmas shoot in 2016, with Saul Dibb, whose credits include The Duchess and Suite Francaise, in the director’s chair.

Sherriff’s play is set in an officer’s bunker beneath a British trench in northern France in the spring of 1918. The men of C-company, commanded by Stanhope, are in the front line, and braced for an imminent German attack. The battle-weary Stanhope hits the whisky bottle to get him through each night, and suffers shame and angry self-loathing when his degeneration is witnessed by teenage officer Raleigh (Asa Butterfield), a younger boy who idolised him at school and who is placed into the company for his very first posting. Reade in fact based his adaptation partly on Sherriff’s later novel version, which opens out the action beyond the dugout without sacrificing its claustrophobic essence.

The character of Stanhope bears some superficial similarities to the damaged golden boy of Me Before You - the privileged, handsome accident victim that gave Claflin his biggest hit so far in a leading role, with more than $200m at cinemas worldwide. “I’ve worked out that pretty much every character I’ve played since my son [Pip, nearly two years old] was born has been somewhat damaged,” he says, laughing. “It’s a pattern.”

But the two men are damaged in very different ways. …

The rest of this article is only available to active members of Questia

Already a member? Log in now.

Notes for this article

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items
Notes
Cite this article

Cited article

Style
Citations are available only to our active members.
Buy instant access to cite pages or passages in MLA 8, MLA 7, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

(Einhorn 25)

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Note: primary sources have slightly different requirements for citation. Please see these guidelines for more information.

Cited article

Sam Claflin on 'Journey's End' and Playing "Damaged" Characters
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this article

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Help
Full screen
Items saved from this article
  • Highlights & Notes
  • Citations
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

matching results for page

    Questia reader help

    How to highlight and cite specific passages

    1. Click or tap the first word you want to select.
    2. Click or tap the last word you want to select, and you’ll see everything in between get selected.
    3. You’ll then get a menu of options like creating a highlight or a citation from that passage of text.

    OK, got it!

    Cited passage

    Style
    Citations are available only to our active members.
    Buy instant access to cite pages or passages in MLA 8, MLA 7, APA and Chicago citation styles.

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

    1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

    Cited passage

    Thanks for trying Questia!

    Please continue trying out our research tools, but please note, full functionality is available only to our active members.

    Your work will be lost once you leave this Web page.

    Buy instant access to save your work.

    Already a member? Log in now.

    Search by... Author
    Show... All Results Primary Sources Peer-reviewed

    Oops!

    An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.