Eudora Welty: Two Pictures at Once in Her Frame

By Barbara Harrell Carson | Go to book overview

Acknowledgements

My debt to Charles R. Anderson, Caroline Donovan Professor of American Literature Emeritus of The Johns Hopkins University, goes back almost a quarter of a century. For that long he has encouraged, counselled, and prodded me through a variety of writing projects. I am grateful to him for his guidance and for his example. Past and present colleagues at Rollins College have given their support both by discussing the ideas that shaped these chapters and by reading early drafts. I am particularly indebted to Omar Castañeda, Hoyt Edge, Jack Lane, Judith Provost, and Roy Starling--and to my colleague in the Rollins Physics Department, Robert Carson.* A series of Jack B. Critchfield research grants helped at several stages in this study. And finally I am grateful to the following journals for permitting the publication of portions of this book which originally appeared in different forms in their pages: American Literature, South Atlantic Review, South Central Review, and Southern Literary Review.

Barbara Harrell Carson Rollins College Winter Park, Florida

____________________
*
Several anonymous reviewers also made suggestions which are reflected in these pages. In addition, my thanks go to Elizabeth Kocan Pensiero for her editorial assistance.

-vi-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Buy instant access to cite pages or passages in MLA 8, MLA 7, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

(Einhorn 25)

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Note: primary sources have slightly different requirements for citation. Please see these guidelines for more information.

Cited page

Bookmark this page
Eudora Welty: Two Pictures at Once in Her Frame
Table of contents

Table of contents

  • Title Page iii
  • Acknowledgements vi
  • Contents vii
  • Introduction viii
  • Notes xxv
  • I- Confluence- One Writer''s Beginnings 1
  • Notes 12
  • II- Inside the Labyrinth- The Eye of the Story 13
  • Notes 27
  • III- The Tangled Bank- Stories of Initiation 29
  • Notes 48
  • IV- "The Way Home through the Wilderness"- The Robber Bridegroom 51
  • Notes 69
  • V- A Truer Thing Than Thought- Delta Wedding 72
  • Notes 97
  • VI- In the Heart of Clay- The Ponder Heart 100
  • Notes 115
  • VII- The Tie That Binds- Losing Battles 117
  • Notes 133
  • VIII- Learning to See Bridges- The Optimist''s Daughter 135
  • Afterward 156
  • Notes 157
  • Works Cited 158
  • Index 170
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Help
Full screen
Items saved from this book
  • Bookmarks
  • Highlights & Notes
  • Citations
/ 182

matching results for page

    Questia reader help

    How to highlight and cite specific passages

    1. Click or tap the first word you want to select.
    2. Click or tap the last word you want to select, and you’ll see everything in between get selected.
    3. You’ll then get a menu of options like creating a highlight or a citation from that passage of text.

    OK, got it!

    Cited passage

    Style
    Citations are available only to our active members.
    Buy instant access to cite pages or passages in MLA 8, MLA 7, APA and Chicago citation styles.

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

    1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

    Cited passage

    Thanks for trying Questia!

    Please continue trying out our research tools, but please note, full functionality is available only to our active members.

    Your work will be lost once you leave this Web page.

    Buy instant access to save your work.

    Already a member? Log in now.

    Search by... Author
    Show... All Results Primary Sources Peer-reviewed

    Oops!

    An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.