THE 'MUSICAL SCRAP'
THE loose slip of paper, now bound between folios 66 and 68 of the manuscript, has been called the 'musical scrap' for reference purposes. The contents reveal Whythorne in his old age writing down the names of 'Doktorz and Bachelarz of Miuzik in England', first those 'of aunsient tẏm', and on the reverse side, those 'of lạt tẏm'. Two simple pen ornaments suggest that the 'aunsient tẏm' side is intended to be read first.
The subject of Degrees of Musicians was a favourite with Whythorne, as the passage on pp. 232-3 reveals. Perhaps he jotted down these notes to serve as illustrations to this thesis. His action can be dated some time after July 1592, because of the events that he mentions in connexion with John Bull, Thomas Morley, and Giles Farnaby, to be discussed later. But now for Whythorne's 'musical scrap'.
Ðọz of aunsient tẏm, wẹr, doktor ⌈ Newton, who waz also A bachelar of Diuinite & master of Arte.⌉ Farfax. doktor Cooper. and dokter. Tye. Doktor Farfax waz of þe Abbey at St Albọns. dokter Cooper waz of þe Abbey at St Edmondz bury. And dokter Tye, waz of þe kathedrall chiurch at Elye. Ðen of bachelarz, þạr waz mr parrat and mr Whẏt. mr parrat waz of Mawdlin kolleӡ in Oxford, and mr Whẏt waz of Trinite Colleӡ in Cambridӡ when hee Commensed Ðe mọst famowz master of miuzik (vnkommensed) of aunsient tẏm waz mr John Taverner who dwelt at Boston. more the blynd harpar. pygott, mr Sheppard waz of þe Queens chappell. 1Ðạr waz in king henry þe eihts daiez A Doktor of miuzik nạmed doktor newton. it iz reported þat hee waz bọth A master of Art, A bachelar of diuinite, and also A Doktor of miuzik. but þe miuzik which hee mạd, waz by speculation, and not by praktẏz, for when hee had mạd A song, hee kowld not sing A part of it when hee had mạd it.____________________