Cuban Art and National Identity: The Vanguardia Painters, 1927-1950

By Juan A. Martínez | Go to book overview
INDEX
ABC, 45
Abela, Eduardo, 2-4, 6, 110-20, 22-23 29-30, 39, 42, 45, 48, 53-54, 59-60 78, 81-82, 85, 87, 90, 96, 105, 107, 109, 110, 151
Acevedo, 25
Acosta, Leonardo, 132
Afrocubanismo, 75, 78
Alonso, Alberto, 91
Alonso, Dora, 43, 63
Altmann, Robert, 133
Alvarez de Sotomayor, Fernando, 157
Arburu Morell, José, 3, 137
Arche, Jorge, 2, 12, 16, 18, 20, 29, 68, 99, 152, 155
Arocena, Berta, 12
Art Deco, 99, 101
Association of Painters and Sculptors, 5-6, 156-57, 159
Avilés Ramirez, Eduardo, 13
Ballagas, Emilio, 77
Barafiano, Leonardo, 52
Barr Jr., Alfred H., 25-27, 48, 122
Barralt, Luis A., 23
Batista, Fulgencio, 30, 46-47
Beals, Carleton, 45
Benitez, Helena (Holzer), 141
Bermúdez, Cundo, 19, 21, 25
Blanco, Rafael, 6, 10, 12, 74, 82
Boccioni, Umberto, 121
Borrero, Juana, 79
Braque, Georges, 14, 125, 159
Brauner, Víctor, 140, 157
Brazilian modernist movement, 1-2
Breton, André, 114, 92, 140, 157-58
Cabildos, 75
Cabrera, Lydia, 43, 76, 91-92, 143, 148
Cadaver Exquis, 141
Capote, Reneé Mendez, 12, 97
Carpentier, Alejo, 6, 24, 76-78, 105, 107, 132, 151
Carrefio, Mario, 21, 25
Carriñn, Miguel de, 36
Carteles, 18, 39
Casal, Julián del, 136
Casanovas, Martí, 6, 11, 24
Cascorro, Raúl Gonzalez de, 63
Castro, Jorge Fernández de, 22
Césaire, Aimé, 92, 157
Céspedes, Carlos Manuel de, 46
Cézanne, Paul, 5, 95, 97, 155
Chacóny Calvo, José M., 16
Chagall, Marc, 14, 87, 105, 151
Changó, 90, 148
Chartrand, Esteban, 3, 74
Círculo de Bellas Artes, 17
Clifford, James, 54
Collazo, Guillermo, 3, 137
Constitution of 1940, 47
Constructivism, 1
Contemporary Cuban Art (exhibition), 23-24, 163
Coulthard, George H., 77
Cuba Contemporanea, 42
Cuban Action Phalanx, 39
Cuban Communist Party, 45
Cuban Federation of Women's Association, 42, 48
Cuban Femenine Club, 42
Cuban Revolutionary Party, 33-34
Cubism, 1, 14, 105, 128, 136, 140
El Cucalambé, 59

-185-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Buy instant access to cite pages or passages in MLA 8, MLA 7, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

(Einhorn 25)

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Note: primary sources have slightly different requirements for citation. Please see these guidelines for more information.

Cited page

Bookmark this page
Cuban Art and National Identity: The Vanguardia Painters, 1927-1950
Table of contents

Table of contents

Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Help
Full screen
Items saved from this book
  • Bookmarks
  • Highlights & Notes
  • Citations
/ 189

matching results for page

    Questia reader help

    How to highlight and cite specific passages

    1. Click or tap the first word you want to select.
    2. Click or tap the last word you want to select, and you’ll see everything in between get selected.
    3. You’ll then get a menu of options like creating a highlight or a citation from that passage of text.

    OK, got it!

    Cited passage

    Style
    Citations are available only to our active members.
    Buy instant access to cite pages or passages in MLA 8, MLA 7, APA and Chicago citation styles.

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

    1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

    Cited passage

    Thanks for trying Questia!

    Please continue trying out our research tools, but please note, full functionality is available only to our active members.

    Your work will be lost once you leave this Web page.

    Buy instant access to save your work.

    Already a member? Log in now.

    Search by... Author
    Show... All Results Primary Sources Peer-reviewed

    Oops!

    An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.