Richard Wagner and Festival Theatre

By Simon Williams | Go to book overview

there, Karl Eckert, might be able to produce one of his operas. While staying in Stuttgart, the savior he was looking for suddenly appeared.


NOTES
1
Richard Wagner an Minna Wagner, 2 vols. ( Berlin: Schuster & Loeffler, 1908), I, 53 (henceforward RWMWa).
2
Richard Wagner an Mathilde Wesendonk: Tagebuchblätter und Briefe, 1853- 1871 ( Berlin: Duncker, 1904), 83 (henceforward RWMW).
3
Jack Stein, Richard Wagner and the Synthesis of the Arts ( Detroit: Wayne State University Press, 1960), 135-143 (henceforward RWSA).
4
Richard Wagner an Freunde und Zeitgenossen, ed. Erich Kloss ( Berlin: Schuster & Loeffler, 1909), 300 (henceforward RWFZ).

-90-

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Richard Wagner and Festival Theatre
Table of contents

Table of contents

  • Title Page iii
  • Contents vii
  • Illustrations ix
  • Foreword xi
  • Preface xiii
  • Abbreviations xvii
  • Chapter 1 - The Fiery Conformist 1
  • Notes 17
  • Chapter 2 Bohemian in Paris 19
  • Notes 29
  • Chapter 3 - Kapellmeister in Dresden 31
  • Notes 52
  • Chapter 4 - Revolutionary in Exile 53
  • Notes 75
  • Chapter 5 - Romantic in Exile 77
  • Notes 90
  • Chapter 6 - The King's Friend 91
  • Notes 109
  • Chapter 7 - The Master of Bayreuth 111
  • Notes 131
  • Chapter 8 - The Dying Magus 133
  • Notes 145
  • Chapter 9 - Wagner's Theatrical Legacy 147
  • Notes 161
  • Chronology of Wagner's Life 163
  • Further Reading 171
  • Index 177
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