The Critical Response to Andy Warhol

By Alan R. Pratt | Go to book overview
8.
work ran as part of an article on the history of the Empire State Building ( Bourdon, 154). The record of the deceased, and her use of the building as a springboard into eternity, now belongs to the story of the skyscraper and the allure prominent architecture holds for even the clinically depressed.
9.
Compare this class of photography to Andreas Serrano's "Morgue" portraits. In Serrano's work the end of life does not mean the dead are no longer human.
10.
For this reason, in an inadvertent homage to Warhol's ability to make any image truly abstract, surveys of the artist's career by Carter Ratcliff and Eric Shanes include Death and Disaster paintings that are printed upside-down or reversed.
11.
This rainbow of colors also calls to mind, given Warhol's start in commercial art, the multiple editions of the same painting, done in a variety of tones, available at starving artist sales. For all patrons and interiors, a painting to match.

WORKS CITED

Bockris Victor. The Life and Death of Andy Warhol. New York: Bantam, 1989.

Bourdon David. Warhol. New York: Abrams, 1989.

Burgin Victor. The End of Art Theory: Criticism and Postmodernity. Atlantic Highlands, NJ: Humanities Press International, 1986.

Coplans John. Andy Warhol. Greenwich, CT: New York Graphic Society, 1970.

Honnef Klaus. Andy Warhol 1928-1987: Commerce into Art. Trans. Carole Fahy and I. Burns. Kohn , Germany: Benedikt Taschen, 1993.

Karp Ivan. "Anti-Sensibility Painting". Artforum ( Sept. 1963): 26-27.

Krauss Rosalind E. The Originality of the Avant-Garde and Other Modernist Myths. Cambridge, MA: MIT, 1986.

Nash Jay Robert. Darkest Hours. Chicago, IL: Nelson-Hall, 1976.

Painter, Ruth Robbin, and Wendell W. Kilgore. "Food Additives" in Toxicology: The Basic Science of Poisons. Eds. Louls J. Casarett and John Doull. New York: Macmillan, 1975, 555-569.

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The Critical Response to Andy Warhol
Table of contents

Table of contents

  • Title Page iii
  • Contents ix
  • Series Foreword xiii
  • Preface xv
  • Notes xxv
  • CHRONOLOGY xxix
  • 1 - The Nineteen Sixties 1
  • 2 - The Nineteen Seventies 59
  • Notes 60
  • Notes 73
  • 3 The Nineteen Eighties 123
  • Notes 132
  • Notes 158
  • Notes 186
  • 4 - The Nineteen Nineties 239
  • Notes 247
  • Works Cited 248
  • Notes 259
  • Notes 265
  • Works Cited 267
  • Note 274
  • Works Cited 274
  • Notes 286
  • SELECTED BIBLIOGRAPHY 291
  • Index 297
  • About the Editor *
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