Horror Films: Current Research on Audience Preferences and Reactions

By James B. Weaver III; Ron Tamborini | Go to book overview

REFERENCES

Barclay G. ( 1978). Anatomy of horror: The masters of occult fiction. London: Weidenfeild & Nicolsm.

Benton M. ( 1989). The comic book in America: An illustrated history. Dallas: Taylor Publishing.

Bettelheim B.( 1976). The uses of enchantment: The meaning and importance of fairy tales. New York: Knopf.

Brockett O. ( 1964). The theatre: An introduction ( 3rd ed.). New York: Holt, Rinehart & Winston.

Daniels L, ( 1975). Living in fear: A history of horror in the mass media. New York: Scribner & Sons.

Darwin C. ( 1859). Origin of the species. London: John Murray.

Derry C. ( 1977). Dark dreams: A psychological history of the modern horror film. London: Thomas Yoseloff.

Dickens C. ( 1843). A Christmas carol. London: Chapman & Hall.

Doherty T. ( 1988). Teenagers and teenpics: The juvenilization of American movies of the 1950s. Boston: Unwin Hyman.

Edwards E. ( 1984). The relationship between sensation-seeking and horror movie interest and attendance. Unpublished doctoral dissertation, University of Tennessee, Knoxville.

Gordon M. ( 1988). The Grand Guignol: Theatre of fear and terror. New York: Amok Press.

Goulart R. ( 1986). Ron Goulart's great history of comic books. Chicago: Contemporary Books.

Huss R., & Ross J. ( 1972). Focus of the horror film. Englewood Cliffs, NJ: Prentice-Hall.

Joshi S. T. ( 1990). The weird tale. Austin, TX: The University of Austin Press.

Kendrick W. ( 1991). The thrill of fear. New York: Grove Press.

King S. ( 1981). Danse macabre. New York: Everest House.

Kluckhorn C. ( 1960). "Recurrent themes in myths and myth making". In H. A. Murray (Ed.), Myth and myth making (pp. 46-59). New York: George Braziller.

Lazarus R. S. ( 1991). Emotion and adaptation. New York: Oxford University Press.

Levin H. ( 1960). "Some meanings of myth". In H. A. Murray (Ed.), Myth and myth making (pp. 103-114). New York: George Braziller.

Lovecraft H. P. ( 1973). Supernatural horror in literature. New York: Dover. (Original work published 1923)

Lundwall S. ( 1977). Science fiction: Illustrated history. New York: Grosset & Dunlap.

Paulson R. ( 1970). Horgarth's graphic works (Vol. 1). New Haven, CT: Yale University Press.

Penzoldt P. ( 1965). The supernatural infiction. New York: Columbia University Press.

Prawer S. ( 1980). Calgari's children: The film as tale of terror. Oxford, UK: Oxford University Press.

Scarborough D. ( 1917). The supernatural in modern English fiction. New York: G. P. Putnam.

Twitchell J. P. ( 1989). Preposterous violence: Fables of aggression in modern violence. New York: Oxford University Press.

Walpole H. ( 1840). The castle of Otranto: A gothic story. London: Joseph Thomas. (original work published 1764)

-13-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items

Items saved from this book

This book has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this book

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Buy instant access to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited page

Bookmark this page
Horror Films: Current Research on Audience Preferences and Reactions
Table of contents

Table of contents

Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Help
Full screen
/ 206

matching results for page

    Questia reader help

    How to highlight and cite specific passages

    1. Click or tap the first word you want to select.
    2. Click or tap the last word you want to select, and you’ll see everything in between get selected.
    3. You’ll then get a menu of options like creating a highlight or a citation from that passage of text.

    OK, got it!

    Cited passage

    Style
    Citations are available only to our active members.
    Buy instant access to cite pages or passages in MLA, APA and Chicago citation styles.

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

    1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

    Cited passage

    Thanks for trying Questia!

    Please continue trying out our research tools, but please note, full functionality is available only to our active members.

    Your work will be lost once you leave this Web page.

    Buy instant access to save your work.

    Already a member? Log in now.

    Oops!

    An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.