Igor Stravinsky: The Man and His Music

By Alexandre Tansman; Therese Bleefield et al. | Go to book overview

CHAPTER II
Stravinsky and the Phenomenon of Music

I

WE SHALL consider Stravinsky's work, monumental in its volume as well as in its intrinsic value, first of all from the point of view of the "rule of the game"--a complex, varied, stimulating game, governed by an honest, genuine rule, established once and for all, like a law inherent in the musical art itself. The rule of the game is characterized by a single common denominator, in its widest but also in its most restricted sense: music, nothing but music, the whole of music.

Though Stravinsky frequently changes his game, it is not because he has come to consider the previous game unsatisfactory in its essence or in its realization. On the contrary, it is because he believes that the more successful a game has been, the more necessary it becomes to invent another one, instead of making an infinity of variations upon the first. To Stravinsky, each work presents a particular problem to be solved, something for the intellect to put in order, an obstacle to overcome, and if there is

-9-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items

Items saved from this book

This book has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this book

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Buy instant access to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited page

Bookmark this page
Igor Stravinsky: The Man and His Music
Table of contents

Table of contents

  • Title Page iii
  • Translators'' Note v
  • Contents vii
  • Introduction ix
  • PART I 1
  • Chapter I- General Outlook 3
  • Chapter II- Stravinsky and the Phenomenon of Music 9
  • Chapter III- Discipline and Attitude 39
  • Chapter IV- Creative Cypology and Craftsmanship 69
  • PART II 141
  • Chapter V- Life and Works (1882-1920) 143
  • Chapter VI- Life and Works (1920-1948) 207
  • Conclusion 275
  • Chronological Catalogue of Works 279
  • Index 287
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Help
Full screen
/ 300

matching results for page

    Questia reader help

    How to highlight and cite specific passages

    1. Click or tap the first word you want to select.
    2. Click or tap the last word you want to select, and you’ll see everything in between get selected.
    3. You’ll then get a menu of options like creating a highlight or a citation from that passage of text.

    OK, got it!

    Cited passage

    Style
    Citations are available only to our active members.
    Buy instant access to cite pages or passages in MLA, APA and Chicago citation styles.

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

    1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

    Cited passage

    Thanks for trying Questia!

    Please continue trying out our research tools, but please note, full functionality is available only to our active members.

    Your work will be lost once you leave this Web page.

    Buy instant access to save your work.

    Already a member? Log in now.

    Author Advanced search

    Oops!

    An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.