Music of the Repressed Russian Avant-Garde, 1900-1929

By Larry Sitsky | Go to book overview
Prints krasavchik i printsessa chudnaya prelest' (ca. 1900)
Op.21. Christbaum. Musikalisch-psychologisches drama ( Rebikov after Andersen and Dostoevsky) ( 1900- 1901)
Op.34. Thea. Musikalisch-psychologisches drama ( Vorotnikov) ( 1904)
Op.40. Bezdna. Musikalisch-psychologisches drama ( Andreev) ( 1907) Godiva. Unfinished ( 1907)
Op.41. Zhenshchina s kinzhalom. Musikalisch-psychologisches drama ( Schnitzler) ( 1910)
Op.42. Al'fa i Omega. Musikalisch-psychologisches drama (Rebikov) (1911)
Op.45. Nartsiss ( Shchepkina-Kupernik, after Ovid) ( 1912)
Op.49. Arachne ( Shchepkina-Kupernik, after Ovid) ( 1915)
Op.55. Dvorianskoe gnezdo. Musikalisch-psychologisches drama ( Rebikov, after Turgenev) ( 1916)

Works Involving Mime or Dance
Op.11. Melomimiques for piano ( 1898)
No.1. Declaration d'amour
No.2. Une lettre (score says: approved by censor December 20, 1897) Trois scenes tirees du conte "Mila et Nolli":
No.3. La mort de Mila (approved by censor June 24, 1900)
No.4. L'enterrement de Mila
No.5. La pensee de Nolli
No.6. Le genie et la mort (in 2 scenes)
Nos.3, 4, and 5 also for string orchestra
Op.15. Les Reves. 5 melomimiques for piano ( 1899)
No.1. Naiade
No.2. Les demons s'amusent
No.3. Le faune
No.4. La Nereide
No.5. Dans la foret
Op.16. Gesangs-Scenen. 3 melomimics for voice and piano ( 1900)
Op.17. Melomimiques. 2 pieces for piano
No.1. Traumerei
No.2. Idylle
Op.18. Gesangs-Scenen. 3 melomimics for voice and piano
Op. 19. Melomimiques. 6 melomimics for soprano or alto, chorus and piano
Op.20. Gesangs-Scenen. 7 melomimics for voice and piano
Basni v litzakh. 9 volumes of dramatic fables for children. Solo voice, scenic tableau, orchestra or piano ( Krylov) ( 1902)
Op.39. Belosnezhka. A musico-psychological pantomime (Andersen) orchestra or piano ( 1907)

Writings
"Rebikov o sebe." Russian Musical Gazette, 43 ( Oct. 25, 1909):945-951.
"Orphee et les Bacchantes." Russian Musical Gazette, 1 ( 1910).
"La Musique de 1960. 1910." Russian Musical Gazette, 1-3, 6-7, 13-14, 17-19, 22-25 ( 1911).
"Moi put'." Russian Musical Gazette, 48 ( 1913):1092.
"Muzykal'niya zapisi chuvstva." Russian Musical Gazette, 48 ( 1913):1097.
translation of Gevaert's "Instrumentation Manual"
translation of Mayrberger "Harmonik R. Wagners"

BIBLIOGRAPHY

Karatygin V. G.: "V. I. Rebikov." Za Y dney, 35 ( 1913).

Parker D. C.: "V. I. Rebikov." Music Student, 9 ( Sept. 1916):31-32.

Montagu-Nathan M.: Contemporary Russian Composers. London, 1917, pp.179-97.

Montagu-Nathan M.: "Rebikov and his Mantle." MT, 58 ( Aug. 1917):356-57.

Stremin M.: "O Rebikove." Khudozhestvennaya zhizn', 2 ( 1922).

Sabaneev L.: Modern Russian Composers. New York, 1927.

-25-

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Music of the Repressed Russian Avant-Garde, 1900-1929
Table of contents

Table of contents

  • Title Page iii
  • Contents v
  • Preface ix
  • Abbreviations xiii
  • Acknowledgments xv
  • 1 1
  • Bibliography 7
  • Part I - The Precursors 10
  • 2 - Vladimir I. Rebikov: The Inventor of Whole-Tone Music 10
  • Bibliography 25
  • 3: Aleksei V. Stanchinskiy 27
  • Part II - The Big Three 38
  • 4 - Nikolai A. Roslavets: The Russian Schoenberg 38
  • Bibliography 58
  • 5: Aleksandr V. Mosolov 60
  • 6: Arthur V. Lourié 87
  • Part III - The Smaller Five 111
  • 7 - Leonid A. Polovinkin: The Partial Avant-Gardist 111
  • Bibliography 132
  • 8 - Vladimir V. Shcherbachev: Old Wine in New Vessels 133
  • 9: Lev K. Knipper 149
  • 10: Boris N. Liatoshinski 158
  • 11 - Vladimir M. Deshevov: The Man of the Theater 171
  • Part IV - The Reluctant Avant-Gardists 183
  • 12 - Samuil E. Feinberg: The Post-Scriabin Pianist 183
  • Bibliography 198
  • 13: Anatoliy N. Aleksandrov 199
  • 14 - Boris A. Aleksandrov: Son of the Composer of the Soviet Anthem 216
  • Part V 217
  • 15: Aleksandr A. Krein 219
  • 16 - Grigoriy A. Krein: Toward Assimilation 225
  • Bibliography 229
  • 17 - Yulian G. Krein: Precocious Cosmopolitan 235
  • 18 - The Ukrainian Bartók and Bloch 241
  • 19: Mikhail F. Gnessin 242
  • Part VI 248
  • 20 248
  • 21: Nikolai Obukhov 254
  • 22: Iosif M. Schillinger 264
  • 23: Aleksandr N. Tcherepnine 273
  • Part VII 283
  • 24 283
  • 25: Leonid L. Sabaneev 291
  • 26 - Dmitriy M. Melkikh: Rhapsodist 309
  • 27: Gavrill N. Popov 310
  • 28: Aleksei S. Zhivotov 318
  • 29: Efim Golyshchev 323
  • 30 - Georgi M. Rimsky-Korsakov: Microtonist 328
  • Appendix: Further Scores for Study and Reference 329
  • Index 343
  • About the Author 349
  • Recent Titles in Contributions to the Study of Music and Dance 351
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