Art as Culture: An Introduction to the Anthropology of Art

By Evelyn Payne Hatcher | Go to book overview

Bibliography

This Bibliography contains the works of authors cited in the text, and suggestions for further reading. Cited authors are listed in the Subject and Author Index.

Abramson J. A. 1976 "Style Change in all Upper Sepik Contact Situation". In Graburn, 1976.

Adair John 1944 The Navjao and Pueblo Silversmiths. U of Oklahoma Press, Norman.

Alkire Wm. H. 1977 An Introduction to the Peoples and Cultures of Micronesia. Cummings Publishing, Menlo Park.

Alland Alexander Jr. 1977 The Artistic Animal: An Inquiry into the Biological Roots of Art. Anchor Press/ Doubleday, Garden City.

Allen Elsie 1972 Pormo Basketmaking. Naturegraph Publishers, Healdsburg, California.

Allison Philip 1968 African Stone Sculpture. Lund Humphries, London.

Altman Ralph 1969 "Comments". In Biebuyck, 1969b.

Anderson H. H. (ed.) 1959 Creativity and Its Cultivation. Harper and Bros., New York.

Anderson Richard L. 1979 Art in Primitive Societies. Prentice-Hall, Englewood Cliffs.

Anton F.; Dockstader F; Trowell M.; and Nevermann H. 1979 Primitive Art: Pre-Columbian, North American Indian, African, Oceanic. Harry N. Abrams, New York.

Appleton LeRoy H. 1971 American Indian Design and Decoration. Dover Publications, New York.

Archey Gilbert 1965 The Art Forms of Polynesia. Auckland Institute and Museum, Auckland.

Armstrong Robert P. 1980 The Powers of Presence. U of Pennsylvania Press, Philadelphia.

Arnheim Rudolph 1954 Art and Visual Perception. U of California Press, Berkeley. 1971 Visual Thinking. U of California Press, Berkeley.

Attenborough David 1976 The Tribal Eye. W. W. Norton, New York.

-303-

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Art as Culture: An Introduction to the Anthropology of Art
Table of contents

Table of contents

  • Title Page iii
  • Contents vii
  • Preface ix
  • Theoretical Note xi
  • About the Illustrations xiii
  • Acknowledgements xv
  • Introduction to the Second Edition xvii
  • Chapter 1 - Contexts and Comparisons: The Anthropological Approach 1
  • Further Reading 20
  • Chapter 2 - Where? The Geographical Dimension 21
  • Further Reading 54
  • Chapter 3 - How? The Technological Means 55
  • Further Reading 84
  • Chapter 4 - Who? The Psychological Perspective 85
  • Further Reading 112
  • Chapter 5 - Why? Social Contexts and Social Functions 113
  • Further Reading 134
  • Chapter 6 - "What. . . ?" Art as Communication 135
  • Further Reading 166
  • Chapter 7 - When and Whence? The Time Dimension 167
  • Further Reading 196
  • Chapter 8 - The Esthetic Mystery 197
  • Further Reading 207
  • Chapter 9 - The Global Context: The 15th Century 209
  • Chapter 10 - Globalization: The 20th Century 229
  • Ethnographic Notes and Index 255
  • Glossary with notes on various usages 287
  • Bibliography 303
  • Bibliography for Second Edition 327
  • Subject and Author Index 331
  • A NOTE ON THE TYPE IN THIS BOOK 337
  • About the Author *
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