Style in Musical Art

By C. Hubert H. Bart Parry | Go to book overview

IV
STYLE IN MUSIC FOR THE DOMESTIC KEYED INSTRUMENTS

THE familiar family of clavichords, harpsichords or spinets, and pianofortes are clearly distinguished from organs, violins, and voices by certain decisive limitations, which exerted a very powerful influence in the evolution of the style of music written for them. The clearest apprehension of these limiting influences may be obtained by comparing the characteristics of these instruments with those of the organ. In certain points indeed they resemble each other; since in both there is certainty and clearness of intonation, and power of executing rapid passages; and also facility for presenting passages in many parts by a single performer. The modern domestic keyed instruments have one great advantage in their extreme elasticity in accent and variation of tone in detail, which makes them much more fitted for rhythmic effects for which the organ is notably deficient; and these qualities make them also much better suited for the rendering of melody with subordinate accompaniment, such as is found in Mozart's sonatas, Mendelssohn's songs without words, Schumann's familiar lyrical pieces, Chopin's

-53-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items

Items saved from this book

This book has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this book

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Buy instant access to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited page

Bookmark this page
Style in Musical Art
Table of contents

Table of contents

  • Title Page iii
  • Preface v
  • Contents vii
  • I Forecast 1
  • Iii Simple Types of Instrumental Style 37
  • Iv Style in Music for the Domestic Keyed Instruments 53
  • V Elementary Complications of Style 72
  • Vi Form and Style 88
  • Vii Influence of Audiences on Style 106
  • Viii Influence of Audiences on Style 131
  • Ix National Influences on Style 152
  • X Texture I 173
  • Xi Texture 189
  • Xii Evolution of Thematic Material 209
  • Xiii Evolution of Thematic Material 228
  • Xiv the Sphere of Temperament 249
  • Xv Functions of Thematic Material 265
  • Xvi the Functions of Thematic Material II 289
  • Xvii Theory and Academicism 305
  • Xviii Antitheses 319
  • Xix Realistic Suggestion 335
  • Xx Quality I 373
  • Xxi Quality II 392
  • Appendix 429
  • Index 433
  • INDEX TO ILLUSTRATIONS 439
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Help
Full screen
/ 439

matching results for page

    Questia reader help

    How to highlight and cite specific passages

    1. Click or tap the first word you want to select.
    2. Click or tap the last word you want to select, and you’ll see everything in between get selected.
    3. You’ll then get a menu of options like creating a highlight or a citation from that passage of text.

    OK, got it!

    Cited passage

    Style
    Citations are available only to our active members.
    Buy instant access to cite pages or passages in MLA, APA and Chicago citation styles.

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

    1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

    Cited passage

    Thanks for trying Questia!

    Please continue trying out our research tools, but please note, full functionality is available only to our active members.

    Your work will be lost once you leave this Web page.

    Buy instant access to save your work.

    Already a member? Log in now.

    Oops!

    An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.