The Columbia History of British Poetry

By Carl Woodring; James Shapiro | Go to book overview

Milton

K NOWN in his own day more as a political polemicist than as a poet, Milton's poetic renown grew soon after his death in the last part of the seventeenth century. From the end of the eighteenth century his reputation, built mainly on Paradise Lost, reached monumental status because of the enormous significance assigned variously to three dimensions of his work: his philosophical and theological ideas, his artistic genius, and his revolutionary politics; it has waxed and waned depending on how decisively the prestige accorded him in any one of these dimensions outweighed distaste for the other two.

It is one of the ironies of Milton's reception that, as the poet who did most to legitimate the literary artist's quest for fame, he never quite saw his own poetic fame realized in his lifetime. And yet Milton was to achieve posthumous celebrity in a manner that helped shape the cultural ideal and personality type that we have come to know as the Author. We now take for granted a literary culture dominated by authors, full-time writers who claim an authority based on a superior ability to perceive a higher truth. In Milton's day it was still more likely that a writer of poetry was a cultivated amateur whose full-time occupation was more typically that of courtier or statesman and who wrote poetry often as a form of sophisticated recreation. The fits and starts of Milton's attempt to establish literary authority for himself reveal the uneasiness that accompanied authorship in its early stages.

Among seventeenth-century English poets, Milton stands out in his immensely self-conscious, self-constructed, single-minded drive to gain fame through the religious, moral, and political authority of poetic pro-

-254-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items

Items saved from this book

This book has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this book

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Buy instant access to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited page

Bookmark this page
The Columbia History of British Poetry
Table of contents

Table of contents

  • Title Page iii
  • Contents v
  • Old English Poetry 1
  • Middle English Poetry 23
  • Chaucer 55
  • Poetry in Scots: Barbour to Burns 81
  • From Ballads to Betjeman 110
  • Printing and Distribution of Poetry 132
  • Varieties of Sixteenth-Century Narrative Poetry 156
  • Sixteenth-Century Lyric Poetry 179
  • Spenser, Sidney, Jonson 203
  • Lyric Poetry from Donne to Philips 229
  • Milton 254
  • Dryden and Pope 274
  • Poetry in the Eighteenth Century 301
  • Blake 327
  • Coleridge 341
  • Poetry, 1785-1832 353
  • Byron, Shelley, and Keats 381
  • Wordsworth and Tennyson 405
  • The Victorian Era 425
  • Victorian Religious Poetry 452
  • Pre-Raphaelite Poetry 478
  • The 1890s 505
  • 1898-1945: Hardy to Auden 532
  • Yeats, Lawrence, Eliot 554
  • Poetry in England, 1945-1990 577
  • Problems and Cleavages 605
  • Brief Biographies of the Poets 643
  • Editions 671
  • Notes on Contributors 678
  • Index 683
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Help
Full screen
/ 740

matching results for page

    Questia reader help

    How to highlight and cite specific passages

    1. Click or tap the first word you want to select.
    2. Click or tap the last word you want to select, and you’ll see everything in between get selected.
    3. You’ll then get a menu of options like creating a highlight or a citation from that passage of text.

    OK, got it!

    Cited passage

    Style
    Citations are available only to our active members.
    Buy instant access to cite pages or passages in MLA, APA and Chicago citation styles.

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

    1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

    Cited passage

    Thanks for trying Questia!

    Please continue trying out our research tools, but please note, full functionality is available only to our active members.

    Your work will be lost once you leave this Web page.

    Buy instant access to save your work.

    Already a member? Log in now.

    Author Advanced search

    Oops!

    An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.