Art, Artists and Society: Origins of a Modern Dilemma ; Painting in England and France, 1750-1850

By Geraldine Pelles | Go to book overview

Index

A
Abnormality, 59-60, 134. See also Deviancy; Fantasy; Insanity
Abstract art, 4, 66, 156
Abstract expressionism, 156, 159
Academies, 25, 28, 44, 47-48
Accidental effects, 67, 72
Alienation, 4, 157. See also Solitude
Allegory, 50, 100, 102-103, 106, 117, 119
Ambiguity, 1, 3, 4, 152, 156, 158-60
Ancients, the, 88
Animals, 130, 134-36, 140
Archaeology, 24
Archaism, 72. See also Primitivism
Aristocracy. See Social classes and art
Art, meanings of term, 18-22, 50, 156
Art-for-art's sake, 21, 23. See also Autonomy
Art, standards of. See Standards of art
Atmosphere. See Color; Illusionism
Autonomy, 21-22, 85-86, 112, 152, 160
Artist, meanings of term, 6, 21-22, 51, 85-86, 96-98, 123, 157
Artists, attitudes toward, 78, 97-98

B
Balzac, Honoré de, 8, 22, 46, 66, 77, 83
Barbizon group, 70
Barry, James, 59, 104
Battle of styles, 12, 26, 37-39
Battle pieces, 9, 108, 118, 128, 130
Baudelaire, Charles, 58, 72, 73, 96, 121-22
Beaumont, Sir George, 44, 45, 90
Beethoven, Ludwig van, 63
Behavior, standards of. See Standards of behavior
Berlioz, Hector, 14, 36, 38, 86
Blake, William, 13, 17-19, 31, 35, 41, 46-47, 59, 63, 65, 88, 93-94, 104, 118, 144; Satan Smiting Job, 112
Bohemians, 2, 84-89, 96
Bonington, R. P., 70
Borel, Petrus, 87
Boucher, François, 124, 126
Bouguereau, Adolphe, 146
Boulanger, Louis, 13, 58
Burke, Edmund, 17-18, 63, 128
Byron, George Gordon, Lord, 86, 114- 15, 133-34

C
Carlyle, Thomas, 8, 77
Catharsis, 154
Change: as a standard, 9; pace of, 4; theories of style, 5. See also History; Time
Chardin, J.-B. S., 44, 52, 124, 147
Chassériau, Théodore, 31, 40, 141
Chenavard, P.-J., 20, 120
Cherubini, Luigi, 140
Childhood, 72, 125, 158-59
Chopin, Frédéric, 11, 82
Classicism, meanings of term, 16-17, 153, See also Neoclassicism
Color, 62-67, 141-42
Commercial art, 158
Communication: art as, 2, 152-53; problems of, 48-49, 61, 74, See also Ambiguity

-175-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items

Items saved from this book

This book has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this book

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Buy instant access to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited page

Bookmark this page
Art, Artists and Society: Origins of a Modern Dilemma ; Painting in England and France, 1750-1850
Table of contents

Table of contents

  • Title Page *
  • Preface *
  • Table & Contents *
  • List Ef Illustrations *
  • One - Introduction 1
  • Two - Rebels & Revolutions 8
  • Three - Art as an Institution 23
  • Four - The Language of the Feelings 49
  • Five - Style in Art ∧ Life 77
  • Six - Metamorphoses of the Hero 99
  • Seven - Love & Death 123
  • Eight - Conclusion 147
  • Chronology of Artists 161
  • Notes 163
  • Index 175
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Help
Full screen
/ 180

matching results for page

    Questia reader help

    How to highlight and cite specific passages

    1. Click or tap the first word you want to select.
    2. Click or tap the last word you want to select, and you’ll see everything in between get selected.
    3. You’ll then get a menu of options like creating a highlight or a citation from that passage of text.

    OK, got it!

    Cited passage

    Style
    Citations are available only to our active members.
    Buy instant access to cite pages or passages in MLA, APA and Chicago citation styles.

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

    1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

    Cited passage

    Thanks for trying Questia!

    Please continue trying out our research tools, but please note, full functionality is available only to our active members.

    Your work will be lost once you leave this Web page.

    Buy instant access to save your work.

    Already a member? Log in now.

    Oops!

    An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.