WILLIAM CARLOS WILLIAMS: The True Contemporary

WHEN I WAS twenty years old I published a little book of, poems privately. It was a confused book, a mixture of Elizabethan and Modern. This volume I sent to several famous poets, only one of whom took the trouble to reply. He was William Carlos Williams. Williams did not praise my book, but his letter, the first I had ever received from a real writer, was full of sympathy and kindliness for a young man who wanted to be a poet. While he had nothing encouraging to say about my poems, he had a good deal to say about the month of March and his anger at T. S. Eliot. The month of March figures a great deal in Williams' poetry, a violent and beautiful season in Williams' New Jersey, as it was in Maryland, where I lived. The diatribe against Eliot disturbed me deeply. I was a worshiper of Eliot then and a devout reader of the Partisan Review, which, although a highbrow leftwing magazine, took Eliot to be the sovereign poet and critic of the twentieth century. I could not understand how any modern poet, especially Williams, who seemed of an extraordinary freshness and origi-

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In Defense of Ignorance
Table of contents

Table of contents

  • Title Page iii
  • Acknowledgments v
  • Contents vii
  • To the Reader ix
  • The Critic In Spite of Himself 3
  • T. S. Eliot: the Death Of Literary Judgment 35
  • Ezra Pound: the Scapegoat Of Modern Poetry 61
  • W. B. Yeats: Trial By Culture 87
  • The Retreat of W. H. Auden 115
  • William Carlos Williams: The True Contemporary 143
  • Dylan Thomas 171
  • The First White Aboriginal 187
  • The Jewish Writer In America 205
  • Poets and Psychologists 219
  • The Unemployed Magician 239
  • What is Not Poetry? 263
  • Poets of the Cosmic Consciousness 287
  • The Greatest Living Author 313
  • About the Author *
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