Shakespeare at the Globe, 1599-1609

By Bernard Beckerman | Go to book overview
INDEX TO THE GLOBE PLAYS
A Larum for London, dating of, xiii; dramaturgic practice in, 30, 35, 43- 44; properties in, 224, 225; stage, use
of, 93; staging in, 188; theme, 60-61
All's Well That Ends Well,15, 136, 229; character types in, 148; dating of, xi; dramaturgic practice in, 30, 36-37, 143; localization, 67, 220; narrative pattern in, 51; properties in, 75, 77, 221, 222; stage, use of, 211- 212; staging, 172, 173, 179, 187, 196, 204, 205, 208-209, 211
Antony and Cleopatra, 15, 134, 229; character types in, 149, 152, 153; dating of, xi; dramaturgic practice in, 26, 32-33, 38, 42, 47, 59, 143, 154; localization, 66-67, 220; narrative pattern in, 53; opening action, 34; properties in, 75-76, 78-79, 221, 222; stage, use of, 92; staging, 166-167, 170-171, 173, 184, 195, 205, 206, 208, 212; staging of IV, xv, 230-231
As You Like It, 229; character types in, 148, 150, 152; dating of, xi-xii; dramaturgic practice in, 37-39, 54, 59, 137; exit lines, 107; localization, 67, 73, 220; narrative pattern in, 53; opening action, 34; properties in, 75, 221, 222; stage, use of, 94, 211-212; staging, 159-160, 167, 171-172, 180, 184, 195, 198, 208-212, 226
Burbage's roles in, 1, 134, 136
Character types, 148-154
Coriolanus, 229; character types in, 148, 149, 152; dating of, xi; dramaturgic practice in, 37, 42, 207; localization, 64, 66, 220; narrative pattern in, 49-50; properties in, 77, 221; staging, 169, 182, 204, 205, 206, 226
Cromwell, Thomas Lord. See Thomas Lord Cromwell.
Dating of the plays, x-xiv
Devil's Charter, The, dating of, xiii; dramaturgic practice in, 35; properties in, 77, 79, 81, 95, 223, 224, 225; stage, use of, 82-85, 88, 90, 92-93, 185; staging, 164-165, 185, 188, 195, 200-201, 204, 227; theme, 61
Dramaturgic practice: causation in, 32- 33, 111, 143, 154; climactic plateau (climax) in, 39-44, 55; contrast in, 59-60; distancing of action, 147; finale in, form of (see also staging of finale), 35-39; in group scenes, 137; liaison between scenes, 45-47; narrative development in, 30, 34-35, 38- 39; scene structure in, 54-57; split structure in, 43-44; temporal illusion in, 157-158
Every Man Out of His Humour, chorus, use of, 25-26; dating of, xiii; dramaturgic practice in, 30, 35-36, 147; localization, 68; "mirror image, " 28; properties in, 223, 224; stage, use of, 87; staging, 172-173; theme, 61
Exit lines, 107
Fair Maid of Bristow, character type in, 152; dating of, xiii; dramaturgic practice in, 35-37, 59; narrative pattern in, 51-53; properties in, 79-80, 223, 224, 230; staging, 188, 198, 227- 228
Formal scenes, 229
Hamlet, xii, 1, 58, 118, 121, 132, 135, 136, 145, 156, 229; character types in,

-245-

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Shakespeare at the Globe, 1599-1609
Table of contents

Table of contents

  • Title Page iii
  • Acknowledgments v
  • Contents vii
  • Introduction ix
  • Chapter One - The Repertory 1
  • Chapter Two - The Dramaturgy 24
  • Chapter Three - The Stage 63
  • Chapter Four - The Acting 109
  • Chapter Five - The Staging 157
  • Chapter Six - The Style 214
  • Appendix A 217
  • Appendix B 220
  • Appendix C 226
  • Notes 232
  • Index to the Globe Plays 245
  • General Index 248
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