Roman Spring: Memoirs

By Mrs. Winthrop Chanler | Go to book overview

XIII
SORRENTO

THE next summer we all spent in Sant' Agnello di Sorrento at the Cocumella, an old-fashioned hotel established in what had once been a monastery. There were many terraces trellised with grapevine and paved with colored tiles; there was a flagged court with an old well- head in the middle of it, and a domed chapel decorated with pale green and blue tiles and a few ecstatic stucco saints. Here it was always cool and quiet, and Monsignor Maresca, the beautiful saintly old Bishop of Sorrento, used to come and say Mass there every morning.

We were surrounded on every side by orange and lemon gardens ever green and fragrant, and beyond them we could see from our terrace the Gulf of Naples and Vesuvius. The Piano (Plateau) di Sorrento lies about two hundred feet above sea level, stretches its fruitful acres from the mountains to the sea, ending abruptly in sheer brown cliffs that go straight down to the water.

Here and there along this unapproachable coast there are little narrow beaches, often only just wide enough to allow the fisher folk to draw up their boats and to dry and mend their nets as in Homeric or Biblical days. These are called marine, and each village has its own

-150-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Buy instant access to cite pages or passages in MLA 8, MLA 7, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

(Einhorn 25)

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Note: primary sources have slightly different requirements for citation. Please see these guidelines for more information.

Cited page

Bookmark this page
Roman Spring: Memoirs
Table of contents

Table of contents

  • Title Page iii
  • Contents vii
  • Illustrations ix
  • I - Roman Childhood 3
  • II - Palazzo Odescalchi 12
  • III - Villeggiatura 24
  • IV - Theatricals and Weddings 31
  • V - West Prussia in the Seventies 41
  • VI - Florence and Free Thought 56
  • VII - Enter Music 71
  • VIII - Americans in Rome 87
  • IX - The Western World 94
  • X - Californian Exile 104
  • XI - Americana 111
  • XII - Return to Italy 120
  • XIII - Sorrento 150
  • XIV - A Gay Cousin 159
  • XV - Roman Festivities 170
  • XVI - Vita Nuova on Hudson 180
  • XVII - Lodge and Roosevelt 191
  • XVIII - Washington Friends 204
  • XIX - Rome Revisited 214
  • XX - New York Society 230
  • XXI - New York's Compensations 250
  • XXII - Tuxedo Park 260
  • II - Ave Roma 270
  • XXIV - The Spanish War 284
  • XXV - Friendship of Henry Adams 291
  • XXVI - Tyrolese Summers 309
  • Index 315
  • Index 317
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Help
Full screen
Items saved from this book
  • Bookmarks
  • Highlights & Notes
  • Citations
/ 328

matching results for page

    Questia reader help

    How to highlight and cite specific passages

    1. Click or tap the first word you want to select.
    2. Click or tap the last word you want to select, and you’ll see everything in between get selected.
    3. You’ll then get a menu of options like creating a highlight or a citation from that passage of text.

    OK, got it!

    Cited passage

    Style
    Citations are available only to our active members.
    Buy instant access to cite pages or passages in MLA 8, MLA 7, APA and Chicago citation styles.

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

    1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

    Cited passage

    Thanks for trying Questia!

    Please continue trying out our research tools, but please note, full functionality is available only to our active members.

    Your work will be lost once you leave this Web page.

    Buy instant access to save your work.

    Already a member? Log in now.

    Search by... Author
    Show... All Results Primary Sources Peer-reviewed

    Oops!

    An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.