Kate Chopin's The Awakening: Screenplay as Interpretation

By Marilyn Hoder-Salmon | Go to book overview

SELECTED BIBLIOGRAPHY

Abel, Elizabeth, Marianne Hirsch, and Elizabeth Langland, eds. The Voyage In: Fictions of Female Development. Hanover, N.H.: University Press of New England, 1983.

American Guide Series: New Orleans City Guide. Federal Writers' Project of the Works Progress Administration. Boston: Houghton Mifflin, 1938.

"American Quarterly". "Special Issue: Film and American Studies 31", no. 5 ( 1979).

Ammons, Elizabeth. Conflicting Stories: American Women Writers at the Turn into the Twentieth Century. New York: Oxford University Press, 1991.

Anderson, Thomas Duncan. "Light In August: Novel, Chamber Theater, Motion Picture--The Role of Point of View in the Adaptation Process." Ph.D. diss., Southern Illinois University, 1973.

Andrew, Dudley. "The Well-Worn Muse: Adaptation in Film History and Theory," in Narrative Strategies: Original Essays in Film and Prose Fiction, edited by Syndy M. Conger and Janice R. Welsch, 11-17. Macomb: Western Illinois University Press, 1980.

Arms, George. "Kate Chopin's The Awakening in the Perspective of Her Literary Career" In Essays in American Literature in Honor of Jay B. Hubbell, edited by Clarence Gohdes, 215-28. Durham, N.C.: Duke University Press, 1967.

Arner, Robert. "Music from a Farther Room: A Study of the Fiction of Kate Chopin." Ph.D. diss., Pennsylvania State University, 1970. Also published as a special issue, Louisiana Studies 14, no. 1 (Spring 1975).

Auerbach, Nina. Women and the Demon. Cambridge, Mass.: Harvard University Press, 1982.

Baron, John. Piano Music From New Orleans, 1851-1898. Music Reprint Series. New York: Da Capo, 1980.

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