Musical Performance in the Times of Mozart and Beethoven: The Lost Tradition in Music, Part II

By Fritz Rothschild | Go to book overview

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JAKOB ADLUNG. Anleitung zur musikalischen Gelahrtheit. Zweite Ausgabe von J. A. Hiller. Dresden and Leipzig, 1783.
JOHANN GEORG ALBRECHTSBERGER. Gründliche Anweisung zur Komposition. Leipzig, 1790, 1821.
C. P. E. BACH. Versuch über die' wahre Art das Clavier zu spielen. Berlin, 1753, 1739, 1762; Leipzig, 1787.
CHARLES BURNEY. The Present State of Music in France and Italy. London, 1771. The Present State of Music in Germany, the Netherlands and United Provinces. London, 1773. A General History of Music. London, 1789.
MUZIO CLEMENTI. Introduction to the Art of Playing the Piano Forte, London, c. 1803.
CARL CZERNY. Complete Theoretical and Practical Piano Forte School. Tr. J. H. Hamilton. London, 1839. Umriss der ganzen Musik-Geschichte (Op. 815). Mainz, 1851.
EDWARD DANNREUTHER. Musical Ornamentation. London, 1893--5.
ARNOLD DOLMETSCH. The Interpretation of the Music of the 17th and 18th Centuries. London, 1915.
ALFRED EINSTEIN. A Short History of Music. New York, 1937. Die Romantik in der Musik. Vienna, 1950.
THEODOR VON FRIMMEL. Beethoven-Studien. Munich, 1906. Beethoven Handbuch. Leipzig, 1926.
F. S. GASSNER. Zeitschrift für Deutschlands Musik-Vereine und Dilettanten. Karlsruhe, 1841-7.
Grove's Dictionary of Music and Musicians, 5th Edition, Ed. Eric Blom. London, 1954.
JOHANN ADAM HILLER. Anweisung zum musikalisch-richtigen Gesange. Leipzig, 1774. Kurze und erleichterte Anweisung zum Singen. Leipzig, 1792. Anweisung zum Violinspielen für Schulen und Selbstunterricht. Leipzig, 1793.
JOHANN NEPOMUK HUMMEL. Theoretical and Practical Course of Instructions on the Art of Playing the Piano Forte. London, 1829.
GEORG KINSKY--HANS HALM. Das Werk Beethovens. Munich, 1935.
JOHANN PHILIPP KIRNBERGER. Die Kunst des reinen Satzes in der Musik. Vol. I. Berlin, 1771. Vol. II. Berlin and Königsberg, 1776.
JUSTIN HEINRICH KNECHT. Kleines Alphabetisches Wörterbuch. Ulm, 1795. Allgemeiner musikalischer Katechismus. Biberach, 1803.
HEINRICH CHRISTOPH KOCH. Musikalisches Lexikon. Offenbach a/M., 1802.
LUDWIG KÖCHEL. Mozart Verzeichnis. Ed. A. Einstein. Ann Arbor, 1947.
JOHANN BAPTIST LASSER. Vollständige Anleitung zur Singkunst. Munich, 1805.
GEORG SIMON LÖHLEIN. Clavierschule. Leipzig, 1779.
FRIEDRICH WILHELM MARPURG. Anleitung zum Klavierspielen. Berlin, 1755. Die Kunst das Clavier zu spielen. Berlin, 1737, 1762. Kritische Briefe über die Tonkunst. Berlin, 1760-3. Anleitung zur Musik überhaupt und zur Singkunst besonders. Berlin, 1763.
JOHANN MATTHESON. Der vollkommene Kapellmeister. Hamburg, 1739.
HERMANN MENDEL. Musikalisches Konversationslexicon. Berlin, 1870.

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