American Abstract Expressionists and Imagists

By Solomon R. Guggenheim Museum | Go to book overview

BIBLIOGRAPHY

BOOKS: GENERAL AND REFERENCE
Current Biography. New York: H. W. Wilson Co. (monthly)

Who's Who in American Art. Washington, D. C.: The American Federation of Art. Biennial (irregular)

1943 Kootz Samuel M. New Frontiers in American Painting. New York: Hastings House, 1943
1944 Janis Sidney. Abstract and Surrealist Art in America. New York: Reynal and Hitchcock, 1944
1946 Guggenheim Peggy. Out of This Century: Informal Memoirs of Peggy Guggenheim. New York: Dial Press, 1946
1948 Soby James Thrall. Contemporary Painters. New York: Museum of Modern Art, 1948
1949 MacAgy Douglas, ed. The Western Round Table on Modern, Art: Abstract of Proceedings. San Francisco: San Francisco Art Association, 1949 (mimeographed)
1951 Baur John I. H. Revolution and Tradition in Modern American Art. Cambridge: Harvard University Press, 1951

Hess Thomas B. Abstract Painting. New York: Viking Press, 1951

Motherwell Robert, and Reinhardt Ad, eds. Modern Artists in America. New York: Wittenborn, Schultz, Inc., 1951

1954 Barr Alfred H., Jr. Masters of Modern Art. New York: Museum of Modern Art, 1954
1955 Seitz William C. Abstract Expressionist Painting in America. Unpublished Doctoral dissertation, Princeton University, 1955
1950 Blesh Rudi. Modern Art, U.S.A. New York: Alfred A. Knopf, 1956

Pousette-Dart Nathaniel. American Painting Today. New York: Hastings House, 1956

1957 Baur John I. H., ed. New Art in America. New York: Frederich A. Praeger, Inc., 1957

Celantano Francis. The Origins and Development of Abstract Expressionism in the United States. Unpublished Master's thesis, New York University, 1957

Eliot Alexander. Three Hundred Years of American Painting. New York: Time, Inc., 1957, 264-83

Rodman Selden. Conversations with Artists. New York: 1957

1958 American Abstract Artists, eds. The World of Abstract Art. New York: George Wittenborn, Inc., 1958

Art Since 1945. New York: Harry N. Abrams, Inc., 1958, 283-324

Cheney. Sheldon. The Story of Modern Art. New York: Viking Press, 1958, 629-702

Hunter Sam. "L'Art Contemporain aux ttats-Unis. Encyclopedia de l'Art International Contemporain." Paris: 1958, 113-28 1950) Barker Virgil. From, Realism to Reality in Recent American Painting. Lincoln: University of Nebraska Press, 1959

Friedman Bernard H., ed. School of New York. Some Younger Artists. New York: Grove Press, Inc., 1959 (includes among others, the following painters in this exhibition: Frankenthaler, Hartigan, Johns, Leslie, Mitchell, Parker)

Hunter Sam. Modern American Painting and Sculpture. New York: Dell Publishing Company, Inc., 1959

Rosenberg Harold. The Tradition of the New. New York: Horizon Press, 1959

1960 Chaet Bernard. Artists at Work. Cambridge: Webb, 1960

Haftmann Werner. Painting in the 20th Century, 2 vols. New York: Frederick A Praeger, Inc., 1960

Henning Edward B. Paths of Abstract Art. Cleveland: Cleveland Museum of Art, 1960

Kepes Gyorgy. The Visual Arts Today. Connecticut: Wesleyan University Press, 1960

Kramer Hilton, ed. Paris/New York (Arts Yearbook No. 3) New York: Art Digest, Inc., 1960

Leslie Alfred, ed. The Hasty Papers. New York: George Wittenborn. Inc., 1960

Ponente. Nello. Modern Painting: Contemporary Trends. Switzerland: Editions d'Art Albert Skira, 1960

Rodman Selden. The Insiders. Louisiana: State University Press, 1960

Guggenheim Peggy. Confessions of an Art Addict. New York: Macmillan Company, 1960

1961 Greenberg Clement. Art and Culture. Boston: Beacon Press, 1961

Albers Joseph and Bucher François. Despite Straight Lines. New Haven: Yale University Press, 1961.

Restany Pierre. Lyrisme et Abstraction. Milan: Édition Apollinaire, 1961

-97-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items

Items saved from this book

This book has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this book

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited page

Bookmark this page
American Abstract Expressionists and Imagists
Table of contents

Table of contents

  • Title Page 3
  • Trustees 5
  • Lenders to the Exhibition 7
  • Acknowledgments 9
  • Foreword - On Art and Terminology 12
  • Introduction 23
  • Exhibition 33
  • Catalogue of the Exhibition and Biographies 85
  • Bibliography 97
  • Staff *
  • Photographic Credits *
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Help
Full screen
/ 131

matching results for page

    Questia reader help

    How to highlight and cite specific passages

    1. Click or tap the first word you want to select.
    2. Click or tap the last word you want to select, and you’ll see everything in between get selected.
    3. You’ll then get a menu of options like creating a highlight or a citation from that passage of text.

    OK, got it!

    Cited passage

    Style
    Citations are available only to our active members.
    Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

    1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

    Cited passage

    Thanks for trying Questia!

    Please continue trying out our research tools, but please note, full functionality is available only to our active members.

    Your work will be lost once you leave this Web page.

    For full access in an ad-free environment, sign up now for a FREE, 1-day trial.

    Already a member? Log in now.