Questia, a part of Gale, Cengage Learning. www.questia.com
Publication information:
Book title: Art Forgery:The Case of the Lady of Elche.
Contributors: John F. Moffitt - Author.
Publisher: University Press of Florida.
Place of publication: Gainesville, FL.
Publication year: 1995.
Page number: iii.
This material is protected by copyright and, with the exception of fair use, may not be further copied, distributed or transmitted in any form or by any means.
Cited page
Buy instant access to cite pages or passages in MLA 8, MLA 7, APA and Chicago citation styles.
(Einhorn, 1992, p. 25)
(Einhorn 25)
(Einhorn 25)
1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.
Note: primary sources have slightly different requirements for citation. Please see these guidelines for more information.
Cited page
Table of contents
- Title Page ii
- Contents ix
- Illustrations xi
- Foreword the Situation of the Dama De Elche in Post-Franco Spain xv
- Preface xxiii
- Part One the Iberian Archaeological Context 1
- One the Archaeological and Cultural Significance of the Lady of Elche 3
- Two the Distinctive Characteristics of the Lady of Elche 15
- Three the Historical Emergence of Early Iberian Art 26
- Four a Survey of Iberian Sculpture in the Spanish Levant 40
- Five the Archaeological Site of La Alcudia 51
- Six the Dama De Baza and the Dama Del Cabezo Lucero 60
- Seven the Iberian Sculptures from Cerro De Los Santos and Llano De La Consolación 75
- Eight the Stylistic Anomalies of the Lady of Elche 93
- Part Two the Modernist Cultural Context 111
- Nine the Lady of Elche and Late-Nineteenth-Century Sculpture and Its Culture 113
- Ten Art Forgeries: Methodology and Identification 140
- Eleven Nineteenth-Century Spanish Art Forgeries and Forgers 157
- Twelve How the "Dama Master" Created the Lady of Elche 177
- Thirteen Who "Commissioned" the Lady of Elche? 196
- Fourteen Two Provocative Discoveries at La Alcudia 206
- Fifteen the Evidence Reviewed, with Observations on Historical Taste and the Syndrome of Modernist Fakes and Hoaxes 225
- Sixteen Artistic Aftermath: Constantin Brancusi, Pablo Picasso, and the Permanent Exhibition of Iberian Sculpture in the Louvre 242
- Notes 265
- Bibliography 297
- Index 317
Search within this book
Look up a word
- Dictionary
- Thesaurus
Print this page
Why can't I print more than one page at a time?
- Bookmarks
- Highlights & Notes
- Citations
Your 100 most recent bookmarks from this book are shown below. View entire project to see the rest.
Creating Bookmarks
To bookmark a page, click the bookmark button in the toolbar.
Highlights saved before July 30, 2012 will not be displayed on their respective source pages.
You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”
Your 100 most recent notes and highlights from this book are shown below. View entire project to see the rest.
Creating Notes and Highlights
Select text, then choose a color or click Add note & highlight in the highlight menu.
Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.
We also added the ability to view new citations from your projects or the book or article where you created them.
Your 100 most recent citations from this book are shown below. View entire project to see the rest.
Creating Citations
To cite an entire page, click the citation button in the toolbar.
To cite a specific piece of text, select the text, then choose Cite this passage from the menu.
matching results for page
Questia reader help
How to highlight and cite specific passages
- Click or tap the first word you want to select.
- Click or tap the last word you want to select, and you’ll see everything in between get selected.
- You’ll then get a menu of options like creating a highlight or a citation from that passage of text.


OK, got it!
Cited passage
Buy instant access to cite pages or passages in MLA 8, MLA 7, APA and Chicago citation styles.
"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).
"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)
"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)
"Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1
1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.
Cited passage
Thanks for trying Questia!
Please continue trying out our research tools, but please note, full functionality is available only to our active members.
Your work will be lost once you leave this Web page.
Already a member? Log in now.
700 characters remaining
DeleteDelete this highlight?
Delete this highlight and note?
Delete this note?
Caution: This cannot be undone.