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Publication information:
Book title: Art Forgery:The Case of the Lady of Elche.
Contributors: John F. Moffitt - Author.
Publisher: University Press of Florida.
Place of publication: Gainesville, FL.
Publication year: 1995.
Page number: iii.
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Art Forgery: The Case of the Lady of Elche
Table of contents
Table of contents
Table of contents
- Title Page ii
- Contents ix
- Illustrations xi
- Foreword the Situation of the Dama De Elche in Post-Franco Spain xv
- Preface xxiii
- Part One the Iberian Archaeological Context 1
- One the Archaeological and Cultural Significance of the Lady of Elche 3
- Two the Distinctive Characteristics of the Lady of Elche 15
- Three the Historical Emergence of Early Iberian Art 26
- Four a Survey of Iberian Sculpture in the Spanish Levant 40
- Five the Archaeological Site of La Alcudia 51
- Six the Dama De Baza and the Dama Del Cabezo Lucero 60
- Seven the Iberian Sculptures from Cerro De Los Santos and Llano De La Consolación 75
- Eight the Stylistic Anomalies of the Lady of Elche 93
- Part Two the Modernist Cultural Context 111
- Nine the Lady of Elche and Late-Nineteenth-Century Sculpture and Its Culture 113
- Ten Art Forgeries: Methodology and Identification 140
- Eleven Nineteenth-Century Spanish Art Forgeries and Forgers 157
- Twelve How the "Dama Master" Created the Lady of Elche 177
- Thirteen Who "Commissioned" the Lady of Elche? 196
- Fourteen Two Provocative Discoveries at La Alcudia 206
- Fifteen the Evidence Reviewed, with Observations on Historical Taste and the Syndrome of Modernist Fakes and Hoaxes 225
- Sixteen Artistic Aftermath: Constantin Brancusi, Pablo Picasso, and the Permanent Exhibition of Iberian Sculpture in the Louvre 242
- Notes 265
- Bibliography 297
- Index 317
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