Philosophies of Music History

By Warren Dwight Allen | Go to book overview

CONTENTS
PART I. HISTORY OF MUSIC HISTORIES
1. MUSICAL RESEARCH IN THE BAROQUE ERA3
The Lutheran Pioneers -- The Catholic Scholars -- The Three First Histories in German, Italian, and French
2. THE CONTROVERSIAL BACKGROUND29
The Divisions of Music -- Partials, Parts, and Harmony -- Divisions of the Octave -- The Divisions of Time -- The Divisions of Historical Time -- The Histories of Art Begin Earlier
3. RELIGIOUS, NATURALIST, AND ETHICAL TRADITIONS48
Biblical Periodization and Ethical Classification -- Was Music Revealed, Imitated, or Invented? -- Theories Concerning the Ethos of Music -- A Modern Reversal of Causal Theory
4. LEXICONS, DICTIONARIES, AND ENCYCLOPEDIAS62
The Dictionary and Its Uses, History or Criticism? -- Modern French Encyclopedists -- German Lexicons -- Dictionaries in English and Other Languages
5. EIGHTEENTH-CENTURY HISTORIES: THE ENLIGHTENMENT70
Modern Music Historiography Begins in England -- The Comparative Classification of Cultural Stages -- Progress and Poetry
6. THE ROMANTIC ERA (1800-1850)86
The Great-Man Theory --The Organic Hypothesis and Triune Theories -- Text- books for Conservatories -- A New Definition of Modern Music -- Miscellaneous English and French Contributions
7. REVOLUTIONISTS AND EVOLUTIONISTS104
A New Interest in the Present and Future: Prescriptions for Progress -- The Return to the Past -- Evolution from the Simple to the Complex -- Development from Savagery to Civilization -- Other General Histories
8. HISTORIES OF MUSIC SINCE 190028
Preliminary Survey of Literature in Current Use -- Music and the Other Arts --

-xxv-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items

Items saved from this book

This book has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this book

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Buy instant access to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited page

Bookmark this page
Philosophies of Music History
Table of contents

Table of contents

Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Help
Full screen
/ 384

matching results for page

    Questia reader help

    How to highlight and cite specific passages

    1. Click or tap the first word you want to select.
    2. Click or tap the last word you want to select, and you’ll see everything in between get selected.
    3. You’ll then get a menu of options like creating a highlight or a citation from that passage of text.

    OK, got it!

    Cited passage

    Style
    Citations are available only to our active members.
    Buy instant access to cite pages or passages in MLA, APA and Chicago citation styles.

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

    1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

    Cited passage

    Thanks for trying Questia!

    Please continue trying out our research tools, but please note, full functionality is available only to our active members.

    Your work will be lost once you leave this Web page.

    Buy instant access to save your work.

    Already a member? Log in now.

    Author Advanced search

    Oops!

    An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.