Understanding Rock: Essays in Musical Analysis

By John Covach; Graeme M. Boone | Go to book overview

Acknowledgments
We would like to thank David Carson Berry, who expertly edited all of the musical examples contained in this collection. John Covach would like to thank the Music Program at the University of Rochester, the University of North Texas College of Music, and the University of North Carolina at Chapel Hill Department of Music for their institutional support of this project; special thanks go to Thomas Sovik at North Texas, who supported work on this project in ways too numerous to mention. Thanks also to Mary Davis for help with the index. Thanks finally to William Bolcom, Nicholas Cook, Allen Forte, Robert Hatten, Andrew Mead, David Neumeyer, and Brian Robison for their various forms of support. Thanks are also due to the publishers listed below for permission to use the excerpts as indicated.
Chapter 1
Close to the Edge," by Jon Anderson and Steve Howe
© 1972 Warner-Tamerlane Publishing Corp.
All Rights Reserved Used by Permission
WARNER BROS. PUBLICATIONS U.S. INC., Miami, Fl. 33014
Chapter 2
Don't Back Down," by B. Wilson
© 1964, Renewed 1992, Irving Music, Inc. (BMI)
All Rights Reserved Intl. © Secured Used by Permission
California Girls," by B. Wilson
© 1965, Renewed 1993, Irving Music, Inc. (BMI)

-xi-

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Understanding Rock: Essays in Musical Analysis
Table of contents

Table of contents

  • Title Page iii
  • Preface v
  • Notes ix
  • Notes xi
  • Contents xv
  • Contributors xvii
  • 1: Progressive Rock, "Close to the Edge," and the Boundaries of Style 3
  • Notes 25
  • 2: After Sundown the Beach Boys' Experimental Music 33
  • Notes 54
  • Notes 59
  • Notes 89
  • Notes 111
  • 5: Swallowed by A Song Paul Simon's Crisis of Chromaticism 113
  • 6 155
  • Notes 166
  • Notes 171
  • Notes 206
  • Index 211
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