The Bondman: An Antient Storie

By Philip C. Massinger; Benjamin Townley Spencer et al. | Go to book overview

And weare it as a Fauour; a ƒteele Helmet

Made horrid with a glorious Plume, will cracke 55
His womans necke.

Leoƒt. No more of him, the motiue's

That Corinth giues vs ayde:Timag. The common danger
For Sicily being afire, ƒhe is not ƒafe;
It being apparant that ambitious Carthage,

That to enlarge her Empire, ƒtriues to faƒten 60
An vniuƒt gripe on vs (that liue free Lords Of Syracuƒa) will not end, till Greece
Acknowledge her their Soueraigne.
Leoƒt. I am ƒatisfied.
What thinke you of our Generall?
Timag. He is a man A Trumpet ƒounds.
Of ƒtrange and reƒerude parts; But a great Souldier. 65
His Trumpets call vs, I'le forbeare his Character. To morrow in the Senate houƒe at large,
He will expreƒƒe himƒelfe.

Leoƒt. Ile follow you. Exeunt.


ACTVS I.

SCAENA II.

Cleon, Coriƒca, Gracculo.

Cori­ca. Nay good Chucke.
Cleon. I haue ƒaid it; Stay at home,
I cannot brooke this gadding, you are a faire one,
Beauty inuites temptation, and ƒhort heeles
Are ƒoone tripd vp.

Coriƒca. Deny me? by my honour

You take no pitty on me. I ƒhall ƒwoune 5
As ƒoone as you are abƒent, aƒke my Man elƒe, You know he dares not tell a lie.

Gracculo. Indeed,
You are no ƒooner out of fight, but ƒhee
Does feele ƒtrange qualmes, then ƒends for her young Doctor

Who miniƒters phiƒicke to her, on her backe, 10
Her Lady­hip lying as ƒhe were entranc'd.

-82-

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The Bondman: An Antient Storie
Table of contents

Table of contents

  • Title Page iii
  • Preface v
  • Contents vii
  • Introduction 1
  • Textual Symbols 75
  • Notes to Text on Page 76 *
  • Notes to Text on Page 77 *
  • Notes to Text on Page 80 *
  • Notes to Text on Page 81 *
  • Notes to Text on Page 82 *
  • Notes to Text on Page 83 *
  • Actvs I. 82
  • Notes to Text on Page 84 *
  • Notes to Text on Page 85 *
  • Actvs I. 84
  • Notes to Text on Page 86 *
  • Notes to Text on Page 87 *
  • Notes to Text on Page 88 *
  • Notes to Text on Page 89 *
  • Notes to Text on Page 90 *
  • Notes to Text on Page 91 *
  • Notes to Text on Page 92 *
  • Notes to Text on Page 93 *
  • Notes to Text on Page 94 *
  • Notes to Text on Page 95 *
  • Notes to Text on Page 96 *
  • Notes to Text on Page 97 *
  • Actvs Ii. 97
  • Actvs Ii. 98
  • Actvs Ii. *
  • Actvs Ii. 104
  • Actvs Ii. *
  • Actvs Ii. *
  • Actvs Ii. *
  • Actvs Ii. 113
  • Actvs Ii. *
  • Actvs Ii. 115
  • Actvs Ii. *
  • Actvs Ii. 118
  • Actvs Ii. *
  • Notes to Text on Page 125 *
  • Notes to Text on Page 126 *
  • Actvs Ii. 126
  • Actvs Ii. 127
  • Actvs Ii. *
  • Actvs Ii. 129
  • Actvs Ii. *
  • Notes to Text on Page 132 *
  • Notes to Text on Page 133 *
  • Actvs Ii. 133
  • Actvs Ii. *
  • Notes to Text on Page 135 *
  • Notes to Text on Page 136 *
  • Notes to Text on Page 137 *
  • Notes to Text on Page 138 *
  • Notes to Text on Page 139 *
  • Notes to Text on Page 140 *
  • Notes to Text on Page 143 *
  • Actvs V. 143
  • Actvs Ii. 147
  • Actvs Ii. *
  • Actvs Ii. 151
  • Actvs Ii. *
  • Notes 161
  • Appendix I Influences 257
  • Appendix Ii Printers and Booksellers of the Quartos 260
  • Bibliography 262
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