'Now, let me recommend you,' pursued Stryver, 'to look it in the face. I have looked it in the face, in my different way; look it in the face, you, in your different way. Marry. Provide somebody to take care of you. Never mind your having no enjoyment of women's society, nor understanding of it, nor tact for it. Find out somebody. Find out some respectable woman with a little property--somebody in the landlady way, or lodging-letting way --and marry her, against a rainy day. That 's the kind of thing for you. Now think of it, Sydney.'

'I 'll think of it,' said Sydney.


CHAPTER XII
THE FELLOW OF DELICACY

MR. STRYVER having made up his mind to that magnanimous bestowal of good fortune on the Doctor's daughter, resolved to make her happiness known to her before he left town for the Long Vacation. After some mental debating of the point, he came to the conclusion that it would be as well to get all the preliminaries done with, and they could then arrange at their leisure whether he should give her his hand a week or two before Michael- mas Term, or in the little Christmas vacation between it and Hilary.

As to the strength of his case, he had not a doubt about it, but clearly saw his way to the verdict. Argued with the jury on substantial worldly grounds--the only grounds ever worth taking into account--it was a plain case, and had not a weak spot in it. He called himself for the plaintiff, there was no getting over his evidence, the counsel for the defendant threw up his brief, and the jury did not even turn to consider. After trying it, Stryver, C. J., was satisfied that no plainer case could be.

Accordingly, Mr. Stryver inaugurated the Long Vacation with a formal proposal to take Miss Manette to Vauxhall Gardens: that failing, to Ranelagh; that unaccountably failing too, it

-138-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items

Items saved from this book

This book has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this book

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited page

Bookmark this page
A Tale of Two Cities
Table of contents

Table of contents

  • Title Page iii
  • Contents vii
  • List of Illustrations x
  • Preface xi
  • Book the First - Recalled to Life 1
  • Chapter I - The Period 1
  • Chapter II - The Mail 4
  • Chapter III - The Night Shadows 9
  • Chapter IV - The Preparation 13
  • Chapter V - The Wine-Shop 25
  • Chapter VI - The Shoemaker 37
  • Book the Second - The Golden Thread *
  • Chapter I - Five Years Later 49
  • Chapter II - A Sight 56
  • Chapter III - A Disappointment 62
  • Chapter IV - Congratulatory 76
  • Chapter V - The Jackal 82
  • Chapter VI - Hundreds of People 88
  • Chapter VII - Monseigneur in Town 100
  • Chapter VIII - Monseigneur in the Country 109
  • Chapter IX - The Gorgon''s Head 114
  • Chapter X - Two Promises 125
  • Chapter XI - ACompanion Picture 134
  • Chapter XII - The Fellow of Delicacy 138
  • Chapter XIII - The Fellow of No Delicacy *
  • Chapter XIV - The Honest Tradesman 150
  • Chapter XV - Knitting 160
  • Chapter XVI - Still Knitting 172
  • Chapter XVII - One Night 183
  • Chapter XVIII - Nine Days 188
  • Chapter XIX - An Opinion 194
  • Chapter XX - A Plea 202
  • Chapter XXI - Echoing Footsteps 206
  • Chapter XXII - The Sea Still Rises 217
  • Chapter XXIII - Fire Rises 222
  • Chapter XXIV - Drawn to the Loadstone Rock 230
  • Book the Third - The Track of a Storm *
  • Chapter I - In Secret 243
  • Chapter II - The Grindstone 255
  • Chapter III - The Shadow 261
  • Chapter IV - Calm in Storm 266
  • Chapter V - The Wood-Sawyer 271
  • Chapter VI - Triumph 272
  • Chapter VII - A Knock at the Door 278
  • Chapter VIII - A Hand at Cards 285
  • Chapter IX - Dusk 303
  • Chapter X - The Substance of the Shadow 316
  • Chapter XI - Dusk 331
  • Chapter XII - Darkness 335
  • Chapter XIII - Fifty-Two 344
  • Chapter XIV - The Knitting Done 356
  • Chapter XV - The Footsteps Die out for Ever 369
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Help
Full screen
/ 374

matching results for page

    Questia reader help

    How to highlight and cite specific passages

    1. Click or tap the first word you want to select.
    2. Click or tap the last word you want to select, and you’ll see everything in between get selected.
    3. You’ll then get a menu of options like creating a highlight or a citation from that passage of text.

    OK, got it!

    Cited passage

    Style
    Citations are available only to our active members.
    Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

    1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

    Cited passage

    Thanks for trying Questia!

    Please continue trying out our research tools, but please note, full functionality is available only to our active members.

    Your work will be lost once you leave this Web page.

    For full access in an ad-free environment, sign up now for a FREE, 1-day trial.

    Already a member? Log in now.