The Plays of David Garrick - Vol. 1

By David Garrick; Harry William Pedicord et al. | Go to book overview

be decyphered. This young gentleman has certainly touched her. There are some objections to him, and, among so many young men of fashion that fall in her way, she certainly might have made a better choice. She has an understanding to be sensible of this; and, if I am not mistaken, it is a struggle between her reason and her passion that occasions all this confusion. But here she is.

Enter Miss Harriet.

MISS HARRIET. I hope you are not angry, Sir, that I left you so abruptly,10
without making any apology?

HEARTLY. I am angry that you think any apology necessary. The matter we were upon was of such a delicate nature that I was more pleased with your confusion than I should have been with your excuses. You'll pardon me, my dear.

MISS HARRIET. I have reflected that the person for whom I have conceived a most tender regard may, from the wisest motives, doubt of my passion. And therefore I would endeavor to answer all his objections and convince him how deserving he is of my highest esteem.

HEARTLY. I have not yet apprehended what kind of dispute could arise20
between you and Mr. Clackit. I would advise you both to come to a reconciliation as soon as possible. The law of nature is an imperious one and cannot, like those of our country, be easily evaded; and though reason may suggest some disagreeable reflections, yet when the stroke is to be given we must submit to it.

MISS HARRIET (aside). He still continues in his error, and I cannot undeceive him.

HEARTLY. Shall I take the liberty of telling you, my dear--(Taking her hand.) You tremble, Harriet; what is the matter with you?

MISS HARRIET. Nothing, Sir, Pray go on.30

HEARTLY. I guess whence proceeds all your uneasiness. You fear that the world will not be so readily convinced of this young gentleman's merit as you are. And, indeed, I could wish him more deserving of you. But your regard for him gives him a merit he otherwise would have wanted and almost makes me blind to his failings.

MISS HARRIET. And would you advise me, Sir, to make choice of this gentleman?

HEARTLY. I would advise you, as I always have done, to consult your

own heart upon such an occasion.40

MISS HARRIET. If that is your advice, I will most religiously follow it. And for the laste time I am resolved to discover my real sentiments.

____________________
23. evaded] O1, O2, O3, O4, W1; envaded W2.
12. any] O1, O2, O3, O4, W1; an W2.

-188-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items

Items saved from this book

This book has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this book

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Buy instant access to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited page

Bookmark this page
The Plays of David Garrick - Vol. 1
Table of contents

Table of contents

  • Title Page iii
  • Contents vii
  • Illustrations ix
  • Preface xi
  • Acknowledgments xix
  • Introduction xxi
  • Lethe; Or, Esop in the Shades - A Dramatic Satire 1740 1
  • Epilogue 33
  • The Lying Valet 1741 35
  • Dramatis Personae 37
  • Scene 1. Gayless' Lodgings. Enter Gayless and Sharp. 37
  • Scene [ii]. Melissa's Lodgings. Enter Melissa and Kitty. 45
  • Scene [ii]. Melissa's Lodgings. Enter Melissa and Kitty. 45
  • Scene [ii]. Melissa's Lodgings. Enter Melissa and Kitty. 51
  • Epilogue 67
  • Miss in Her Teens: Or, the Medley of Lovers - A Farce 1747 69
  • Advertisement 71
  • Prologue 72
  • Dramatis Personae 74
  • Act I. Scene I. 74
  • Scene [ii.] Changes to A Chamber. 83
  • Act Ii. Scene I. 83
  • Epilogue 103
  • Lilliput 1756 - A Dramatic Entertainment 105
  • Advertisement 107
  • Prologue 110
  • Dramatis Personae 112
  • Epilogue 130
  • The Male-Coquette; Or, Seventeen-Hundred Fifty-Seven 1757 133
  • Advertisement 135
  • Prologue 136
  • Dramatis Personae 138
  • Act I. [scene I.] [a Hall in Sophia's House.] 138
  • [scene Ii.] 146
  • Act Ii. [scene I.] 146
  • Act Ii. [scene I.] 155
  • Act Ii. [scene I.] 162
  • The Guardian A Comedy 1759 169
  • Advertisement 171
  • Dramatis Personae 172
  • Act I. Scene I. A Hall in Mr. Heartly's House. 172
  • Act II 173
  • Act II 188
  • Harlequin's Invasion; Or, A Christmas Gambol 1759 199
  • Dramatis Personae 201
  • Act I 201
  • Scene Ii. Plain Chamber 205
  • Scene Ii. Plain Chamber 205
  • Scene Ii. Plain Chamber 213
  • Scene Ii. Plain Chamber 216
  • Scene Ii. Plain Chamber 221
  • The Enchanter; Or, Love and Magic A Musical Drama 1760 227
  • Advertisement 229
  • Persons 230
  • Act I. Scene I. 231
  • Scene Ii. Plain Chamber 233
  • Scene Ii. Plain Chamber 233
  • Scene Ii. Plain Chamber 234
  • Scene Ii. Plain Chamber 235
  • Scene Ii. Plain Chamber 235
  • Scene Ii. Plain Chamber 235
  • Scene Ii. Plain Chamber 238
  • Scene Ii. Plain Chamber 240
  • Scene Ii. Plain Chamber 240
  • The Farmer's Return from London . - An Interlude 1762 243
  • Advertisement 245
  • Persons of the Interlude 246
  • The Clandestine Marriage - Acomedy 1766 253
  • Advertisement 255
  • Prologue 256
  • Dramatist Personae 258
  • Act I. [scene I.] 258
  • Scene Ii. Plain Chamber 268
  • Act Ii. [scene I.] 268
  • [scene Ii.] 281
  • [scene Ii.] 281
  • [scene Ii.] 291
  • [scene Ii.] 298
  • Act Iv. Scene I. 298
  • [scene Ii.] 306
  • [scene Ii.] 306
  • [scene Ii.] 317
  • [scene Ii.] 320
  • Epilogue 332
  • Neck or Nothing A Farce 1766 337
  • Advertisement 339
  • Dramatis Personae 340
  • Act I. [scene I.] 340
  • Scene II 347
  • Scene II 355
  • Scene II 363
  • Scene II 364
  • List of References 373
  • Commentary and Notes 377
  • Index to Commentary 431
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Help
Full screen
/ 440

matching results for page

    Questia reader help

    How to highlight and cite specific passages

    1. Click or tap the first word you want to select.
    2. Click or tap the last word you want to select, and you’ll see everything in between get selected.
    3. You’ll then get a menu of options like creating a highlight or a citation from that passage of text.

    OK, got it!

    Cited passage

    Style
    Citations are available only to our active members.
    Buy instant access to cite pages or passages in MLA, APA and Chicago citation styles.

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

    1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

    Cited passage

    Thanks for trying Questia!

    Please continue trying out our research tools, but please note, full functionality is available only to our active members.

    Your work will be lost once you leave this Web page.

    Buy instant access to save your work.

    Already a member? Log in now.

    Oops!

    An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.