Napoleon: For and Against

By Pieter Geyl; Olive Renier | Go to book overview

CHAPTER V
HIPPOLYTE TAINE

THE WRITER

THE two last works, those of Lanfrey and of d'Haussonville, dissimilar as they are, have this much in common, that their authors could not shake off the influence of Thiers. They correct, they amplify him, but he still dominates the territory in which they operate. This is not so in the case of Taine. It is not, as with Quinet, because he soars above the period in the ample sweep of his speculations. He delves deep into his subject, but his method is so different that the reader forgets his immediate predecessors. Nevertheless there is a relationship with all those who have come under review in this section. Like them he was a spiritual heir, if a bitterly disillusioned one, of Mme de Staël. Like them he had his place in the reaction against the Napoleonic legend. Indeed, in him this reaction culminated.

The first volume devoted to Napoleon, in Taine great work Les Origines de la France contemporaine, appeared in 1890. It contained the brilliant 'portrait', as an introduction to a discussion of the institutions which Napoleon gave to France. I shall, in the first instance, confine my attentions to this portrait.

Taine is in a different category from writers such as Thiers, d'Haussonville or Lanfrey. Nor can Quinet compare with him. The hundred and forty pages of the chapter on Napoleon belong to literature. No one has a greater capacity for making his readers see a character. Taine's Napoleon, a creature devoid of all humanity, an evil demon let loose on France and Europe, is alive, is alive with a gripping, an overwhelming intensity. This does not mean that Taine's Napoleon must be true to life. Imagination plays too important a role in the writing of history, and what is imagination but the projection of the author's personality? It is to a supreme degree the Napoleon of Taine, and Taine, a creative imagination without a peer, was by no means the calm, objective observer he declared -- and believed -- himself to be.1

Deeply shocked as he was by the defeat of 1870, and no less by

____________________
1
See the Introduction to the Origines.

-133-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items

Items saved from this book

This book has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this book

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Buy instant access to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited page

Bookmark this page
Napoleon: For and Against
Table of contents

Table of contents

  • Title Page 3
  • Contents 5
  • Preface - To the First Dutch Edition 7
  • Part One - The Antithesis at the Beginning 13
  • Chapter I - Chateaubriand 17
  • Chapter II - Madame de Staël 19
  • Chapter III - The Napoleonic Legend 23
  • Part Two - The First Chroniclers 33
  • Chapter I - M. Mignet 35
  • Chapter II - Baron Bignon 37
  • Chapter III - Armand Lefebvre 45
  • Chapter IV - Adolphe Thiers 53
  • Part Three - Reaction against the Legend 69
  • Chapter I - Jules Barni 73
  • Chapter II - Edgar Quinet 77
  • Chapter III - Pierre Lanfrey 86
  • Chapter IV - Comte D'Haussonville 106
  • Chapter V - Hippolyte Taine 133
  • Part Four - Admirers 149
  • Chapter I - Prince Napoleon 156
  • Chapter II - Henry Houssaye 160
  • Chapter III - Arthur - LéVy Polemic against Taine 169
  • Chapter IV - FréDéric Masson 177
  • Chapter V - Count Albert Vandal 230
  • Part Five - The Problem of Foreign Policy 233
  • Chapter I - Old Acquaintances 235
  • Chapter II - Emile Bourgeois 241
  • Chapter III - Two More Old Acquaintances 250
  • Chapter IV - Albert Sorel 254
  • Chapter V - Edouard Driault 308
  • Part Six - The Antithesis at the End 349
  • Chapter 1 356
  • Chapter II - A. L. Guérard 362
  • Chapter Ill - G. Pariset 364
  • Chapter IV - Jules Isaac 371
  • Chapter V - Charles Seignobos 373
  • Chapter VI - Jacques Bainville 376
  • Chapter VII - Louis Madelin 390
  • Chapter VIII - Gabriel Hanotaux 403
  • Chapter IX - Georges Lefebvre 446
  • Chronological Table 451
  • Index 465
  • Index of Authors 475
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Help
Full screen
/ 482

matching results for page

    Questia reader help

    How to highlight and cite specific passages

    1. Click or tap the first word you want to select.
    2. Click or tap the last word you want to select, and you’ll see everything in between get selected.
    3. You’ll then get a menu of options like creating a highlight or a citation from that passage of text.

    OK, got it!

    Cited passage

    Style
    Citations are available only to our active members.
    Buy instant access to cite pages or passages in MLA, APA and Chicago citation styles.

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

    1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

    Cited passage

    Thanks for trying Questia!

    Please continue trying out our research tools, but please note, full functionality is available only to our active members.

    Your work will be lost once you leave this Web page.

    Buy instant access to save your work.

    Already a member? Log in now.

    Author Advanced search

    Oops!

    An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.