"I pity the man who can travel from Dan to Beersheba, and say, 'Tis all barren;' and so it is: and so is all the world to him who will not cultivate the fruits it offers."-- STERNE: Sentimental Journey.*
To say that Deronda was romantic would be to misrepresent him; but under his calm and somewhat self-repressed exterior there was a fervour which made him easily find poetry and romance among the events of everyday life. And perhaps poetry and romance are as plentiful as ever in the world except for those phlegmatic natures who I suspect would in any age have regarded them as a dull form of erroneous thinking. They exist very easily in the same room with the microscope and even in railway carriages: what banishes them is the vacuum in gentlemen and lady passengers. How should all the apparatus of heaven and earth, from the farthest firmament to the tender bosom of the mother who nourished us, make poetry for a mind that has no movements of awe and tenderness, no sense of fellowship which thrills from the near to the distant, and back again from the distant to the near?
To Deronda this event of finding Mirah was as heart-stirring as anything that befell Orestes or Rinaldo.* He sat up half the night, living again through the moments since he had first discerned Mirah on the river-brink, with the fresh and fresh vividness which belongs to emotive memory. When he took up a book to try and dull this urgency of inward vision, the printed words were no more than a network through which he saw and heard everything as clearly as before--saw not only the actual events of two hours, but possibilities of what had been and what might be which those events were enough to feed with the warm blood of passionate hope and fear. Something in his own experience caused Mirah's search after her mother to lay hold with peculiar force on his imagination. The first prompting of sympathy was to aid her in the search: if given persons were extant in London there were ways of finding them, as subtle as scientific experiment, the right