ADA

Barnes Colhard did not say he would not do it but he did not do it. He did it and then he did not do it, he did not ever think about it. He just thought some time he might do something.

His father Mr. Abram Colhard spoke about it to every one and very many of them spoke to Barnes Colhard about it and he always listened to them.

Then Barnes fell in love with a very nice girl and she would not marry him. He cried then, his father Mr. Abram Colhard comforted him and they took a trip and Barnes promised he would do what his father wanted him to be doing. He did not do the thing, he thought he would do another thing, he did not do the other thing, his father Mr. Colhard did not want him to do the other thing. He really did not do anything then. When he was a good deal older he married a very rich girl. He had thought perhaps he would not propose to her but his sister wrote to him that it would be a good thing. He married the rich girl and she thought he was the most wonderful man and one who knew everything. Barnes never spent more than the income of the fortune he and his wife had then, that is to say they did not spend more than the income and this was a surprise to very many who knew about him and about his marrying the girl who had such a large fortune. He had a happy life while he was living and after he was dead his wife and children remembered him.

He had a sister who also was successful enough in being one being living. His sister was one who came to be happier than most people come to be in living. She came to be a completely happy one. She was twice as

-14-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items

Items saved from this book

This book has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this book

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Buy instant access to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited page

Bookmark this page
Geography and Plays
Table of contents

Table of contents

  • Title Page 3
  • The Work of Gertrude Stein 5
  • Table of Contents 9
  • Ada 14
  • Miss Furr and Miss Skeene 17
  • A Collection 23
  • France 27
  • Americans 39
  • Italians 46
  • Sweet Tail (gypsies) 65
  • I- Must Try to Write the History Of Belmonte 70
  • In the Grass (on Spain) 75
  • England 82
  • Scenes. Actions and Disposition Of Relations and Positions 97
  • The King or Something - (the Public is Invited to Dance) 122
  • Publishers, the Portrait Gallery And The Manuscripts at the British Museum 134
  • Roche 141
  • Braque 144
  • Portrait of Prince B. D. 150
  • Mrs. Whitehead 154
  • Portrait of Constance Fletcher 157
  • Johnny Grey 166
  • A Portrait of F. B. 176
  • Sacred Emily 178
  • Iiiiiiiiii. 189
  • One - Carl Van Vechten 199
  • A Portrait of One 201
  • A Curtain Raiser 202
  • Ladies' Voices 203
  • What Happened - A Five Act Play 205
  • White Wines - Three Acts 209
  • Do Let Us Go Away - A Play 215
  • For the Country Entirely - A Play in Letters 227
  • Scene 2. 231
  • Scene 3. 232
  • Scene 4. 236
  • Scene 7. 236
  • Scene 3. 237
  • Turkey and Bones and Eating and We Liked It - A Play 239
  • Scene III 240
  • Scene IV - An Interlude. 241
  • Scene V - Farmer. 243
  • Scene VII 243
  • Scene IX 244
  • Scene X 247
  • Scene XIII 250
  • Scene XVII 251
  • Every Afternoon - A Dialogue 254
  • Captain Walter Arnold - A Play 260
  • Please Do Not Suffer - A Play 262
  • He Said It - Monologue 267
  • Counting Her Dresses - A Play 275
  • I like It to Be a Play - A Play 286
  • Not Sightly - A Play 290
  • Bonne Annee - A Play 302
  • Mexico - A Play 304
  • Act II 306
  • Scene II 307
  • Scene III 308
  • Scene IV 309
  • Act V 313
  • Act V 313
  • Scene II 314
  • Scene II 317
  • Scene IV 321
  • Act IV 322
  • Scene IV 325
  • Scene II 327
  • Scene IV 328
  • Scene II 328
  • A Family of Perhaps Three 331
  • Advertisements 341
  • Pink Melon Joy 347
  • If You Had Three Husbands 377
  • Work Again 392
  • Tourty or Tourtebattre - A Story of the Great War 401
  • Next. Life and Letters of Marcel Duchamp 405
  • Land of Nations. - [sub-Title and Ask Asia] 407
  • Accents in Alsace. - A Reasonable Tragedy. 409
  • The Psychology of Nations Or What Are You Looking At 416
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Help
Full screen
/ 422

matching results for page

    Questia reader help

    How to highlight and cite specific passages

    1. Click or tap the first word you want to select.
    2. Click or tap the last word you want to select, and you’ll see everything in between get selected.
    3. You’ll then get a menu of options like creating a highlight or a citation from that passage of text.

    OK, got it!

    Cited passage

    Style
    Citations are available only to our active members.
    Buy instant access to cite pages or passages in MLA, APA and Chicago citation styles.

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

    1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

    Cited passage

    Thanks for trying Questia!

    Please continue trying out our research tools, but please note, full functionality is available only to our active members.

    Your work will be lost once you leave this Web page.

    Buy instant access to save your work.

    Already a member? Log in now.

    Oops!

    An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.