IN WHICH PASSEPARTOUT IS CONVINCED THAT HE
HAS AT LAST FOUND HIS IDEAL
"FAITH," muttered Passepartout, somewhat flurried, "I've seen people at Madame Tussaud's as lively as my new master!"
Madame Tussaud's "people," let it be said, are of wax, and are much visited in London; speech is all that is wanting to make them human.
During his brief interview with Mr. Fogg, Passepartout had been carefully observing him. He appeared to be a man about forty years of age, with fine, handsome features, and a tall, well-shaped figure; his hair and whiskers were light, his forehead compact and unwrinkled, his face rather pale, his teeth magnificent. His countenance possessed in the highest degree what physiognomists call "repose in action," a quality of those who act rather than talk. Calm and phlegmatic, with a clear eye, Mr. Fogg seemed a perfect type of that English composure which Angelica Kauffmann has so skillfully represented on canvas. Seen in the various phases of his daily life, he gave the idea of being perfectly wellbalanced, as exactly regulated as a Leroy chronometer.