Specimens of English Dramatic Criticism, XVII-XX Centuries

By A. C. Ward | Go to book overview

ELLEN TERRY

THE performance, at the Princess's,1 by Miss Ellen Terry, of the character of Pauline, in The Lady of Lyons, gives to an entertainment intended for one night only, and appealing to a limited section of the public, an interest a similar occasion has seldom claimed. Its effect is to set the seal upon a growing reputation, and to make evident the fact that an actress of a high, if not the highest, order has arisen in our midst. One of the pleasantest, in as much as it is one of the rarest tasks the critic is called upon to discharge is that of heralding to the world the advent of genius. So vast a space separates, ordinarily, aspiration from accomplishment, the critic's duty becomes merged in that of the censor, and the public comes to regard him as one whose sole function is to point out irregularities of workmanship and failure of effort. In the case of things dramatic and histrionic it is rarely indeed the critic can do more than suggest some promise of talent behind crude performance-- some glimpse of meaning or intention in a commonplace rendering. There is, accordingly, a pleasure of no ordinary kind in announcing a fact Miss Terry's recent performances have fully established, viz. that an actress has developed in whom there is that perception of analogies, that insight into mysteries and that power of interpretation, on which the world has bestowed the name of genius. Circumstances took Miss Terry from the stage at a time2 when men dimly perceived in her the promise which has since been realized. It is probable that some

____________________
1
14 August 1875.
2
From 1868 to 1874.--ED.

-159-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items

Items saved from this book

This book has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this book

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Buy instant access to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited page

Bookmark this page
Specimens of English Dramatic Criticism, XVII-XX Centuries
Table of contents

Table of contents

  • Title Page iii
  • Contents v
  • Acknowledgements ix
  • Introduction 1
  • London Theatres in the 1660s 21
  • Betterton's Benefit 44
  • Thomas Betterton 46
  • Garrick's First Performance in London 60
  • Mr. Partridge Sees Garrick 63
  • 'the Beggar's Opera': 18th Century 69
  • Mrs. Siddons 84
  • Others--And Mrs. Siddons 89
  • 'the Beggar's Opera': 19th Century 93
  • Kean as Richard the Third 96
  • On Actors and Acting 101
  • On the Artificial Comedy of The Last Century 112
  • Phelps at Sadler's Wells 123
  • At the Pantomime 130
  • 'Caste' 132
  • On Natural Acting 142
  • Ellen Terry 154
  • Ellen Terry 159
  • Irving in Shakespeare 162
  • 'Ghosts' 182
  • 'Arms and the Man' 190
  • 'trilby' 198
  • Donkey Races 203
  • Forbes Robertson's Hamlet 208
  • 'trelawny of the "Wells"' 218
  • F. R. Benson's Richard II 222
  • Dan Leno 231
  • The Wild Duck' 237
  • 'the Playboy of the Western World'1 248
  • P. D. Kenny 254
  • Granville Barker's Production Of 'twelfth Night' 260
  • 'the Pretenders' 264
  • 'A Bill of Divorcement' 282
  • The Search for the Masterpiece 290
  • 'Peer Gynt' at the Old Vic 294
  • Marie Lloyd 297
  • 'the Way of the World' 302
  • 'Hamlet' in Modern Dress 307
  • A Creator 312
  • Biblical 'tobias and the Angel' 316
  • 'twelfth Night' at the Old Vic 321
  • 'Murder in the Cathedral' 326
  • 'As You like It' at the Old Vic 329
  • Editor's Note 331
  • Descriptive Index 333
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Help
Full screen
/ 355

matching results for page

    Questia reader help

    How to highlight and cite specific passages

    1. Click or tap the first word you want to select.
    2. Click or tap the last word you want to select, and you’ll see everything in between get selected.
    3. You’ll then get a menu of options like creating a highlight or a citation from that passage of text.

    OK, got it!

    Cited passage

    Style
    Citations are available only to our active members.
    Buy instant access to cite pages or passages in MLA, APA and Chicago citation styles.

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

    1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

    Cited passage

    Thanks for trying Questia!

    Please continue trying out our research tools, but please note, full functionality is available only to our active members.

    Your work will be lost once you leave this Web page.

    Buy instant access to save your work.

    Already a member? Log in now.

    Author Advanced search

    Oops!

    An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.