Subject to Change: Guerrilla Television Revisited

By Deirdre Boyle | Go to book overview

I.
Underground Video

For children growing up in the '50s, television was a family member. The tiny screen buried in the big wooden box offered kinship with familiar figures who seemed as much a part of kids' everyday lives as parents, siblings, and neighborhood playmates. Nightly viewing of Disney "The Mickey Mouse Club" was a ritual in American television households where children sang along with the club anthem and joined vicariously in the adventures of Karen and Cubby and Sharon and Dave. Other shows also reinforced this feeling of membership in an enduring group, such as "Andy's Gang," which weekly drew kids eager to hear Andy Devine's raspy and slightly raunchy command, "Pluck your magic twanger, Froggy!"

The Baby Boomers grew up with television, developing a love- hate relationship with it and a sense of possessiveness about it that, some might argue, was Oedipal in its complexity. As they came of age in the late '60s, television achieved its own independence in the form of the first portable video recorders. It made sense that a generation linked together by their television memories and nurtured by the communal spirit of television clubs should form their own video gangs to make their own television, once the tools were available.

Corporate control of television had been secured in the post- World War I years as government nationalization of the telecommunications industries was opposed in the government controlled versus free enterprise debate. Television was developed as an extension of radio, effectively consolidating the power of the broadcasting industry by limiting television's role in American society to what the radio networks felt they could produce and control. As broadcast historian Garth Jowett has observed:

Despite the official rhetoric about the enormous educational and informational potential of the medium, the institutions which were capable of developing this role for television (universities, schools, churches, gov-

-3-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items

Items saved from this book

This book has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this book

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Buy instant access to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited page

Bookmark this page
Subject to Change: Guerrilla Television Revisited
Table of contents

Table of contents

  • Title Page iii
  • Preface v
  • Introduction xiii
  • Contents xvii
  • I. Underground Video 3
  • 2. Subject to Change 14
  • 3. Guerrilla Versus Grassroots 26
  • 4. the World's Largest Tv Studio 36
  • 5. Mountain Guerrilla 48
  • 6. Four More Years 55
  • 7. Communitube 65
  • 8. Gaga Over Guru 72
  • 9. Prime Time Tvtv 89
  • 10. Broadside Tv 96
  • Ii. Impeaching Evidence 105
  • 12. Changing Channels 116
  • 13. Furor Over Fugitive 128
  • 14. Living Newsletter? 139
  • 15. the Good Times Are Killing Me 146
  • 16. Super Video 158
  • 17. Intermedia 165
  • 18. Hooray for Hollywood? 172
  • 19. the Big Chill 183
  • 20. Epilogue 190
  • Appendix Information on Apes by Broadside Tv, University Community Video, and Tvtv (top Value Television 209
  • Notes 223
  • Bibliography 259
  • Index 271
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Help
Full screen
/ 286

matching results for page

    Questia reader help

    How to highlight and cite specific passages

    1. Click or tap the first word you want to select.
    2. Click or tap the last word you want to select, and you’ll see everything in between get selected.
    3. You’ll then get a menu of options like creating a highlight or a citation from that passage of text.

    OK, got it!

    Cited passage

    Style
    Citations are available only to our active members.
    Buy instant access to cite pages or passages in MLA, APA and Chicago citation styles.

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

    1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

    Cited passage

    Thanks for trying Questia!

    Please continue trying out our research tools, but please note, full functionality is available only to our active members.

    Your work will be lost once you leave this Web page.

    Buy instant access to save your work.

    Already a member? Log in now.

    Oops!

    An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.