Metal Heads: Heavy Metal Music and Adolescent Alienation

By Jeffrey Jensen Arnett | Go to book overview

PROFILE
Reggie

In his appearance, Reggie was not a typical metalhead. A handsome young black man, he had short, simply styled hair and was nicely dressed in a loose blue denim shirt and fashionable blackand-white pants, although he wore no shoes (it was, after all, a July day in Atlanta). A senior in high school, he was exceptionally articulate for his age and also humorous, in a sardonic way. Although he did not look the part, he was a devoted metalhead. He had a job writing about popular music for a local teen magazine, which he felt gave him a certain authority to debunk misconceptions about heavy metal music.

A lot of People say it's garbage, it's loud, everything sounds the same, it's just people screaming. I say that if you really listen to it, if you know what you're talking about and you really read the lyrics, you wouldn't say that. I consider myself to be a student of it, you know what I mean? 'Cause I work for this magazine, and I've interviewed basically every [metal] band that's come to Atlanta for the past fourand-a-half, five years.

He was skeptical of the idea that heavy metal music should be blamed for human violence and venality. Nasty and violent acts take place every day, he pointed out, and few of the people committing them listen to heavy metal. He also rejected the claim that heavy metal music contributes to suicide. To him, the music was being made a scapegoat for the real problems that teenagers have that drive some of them to suicide.

As far as this thing about teen suicide, if a kid's really disturbed and if his parents aren't bright enough or don't care enough to pick up on it, then it's partly their responsibility, too. What's so funny is that if a kid's listening to a heavy metal record and he kills himself, they blame it on the music. But, you "re telling me, with the suicide rate the way it is for teenagers in this country, that all these kids listen to heavy metal?

-111-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items

Items saved from this book

This book has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this book

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Buy instant access to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited page

Bookmark this page
Metal Heads: Heavy Metal Music and Adolescent Alienation
Table of contents

Table of contents

  • Title Page iii
  • Contents v
  • Tables and Photographs vii
  • Preface ix
  • Profile - Jack 1
  • 1 - A Heavy Metal Concert: The Sensory Equivalent of War 7
  • Profile - Nick 19
  • 2 - Heavy Metal Music and the Socialization of Adolescents 23
  • Profile - Mark 35
  • 3 - What is This Thing Called Heavy Metal? 41
  • Profile - Brian 59
  • 4 - The Allure of Heavy Metal 63
  • Profile - Spencer 73
  • 5 - The Effects of Heavy Metal 77
  • Profile - Lew 91
  • 6 - Sources of Alienation I: Family and Community 97
  • Profile - Reggie 111
  • 7 - Sources of Alienation II: School and Religion 117
  • Profile - Jean 135
  • 8 - The Girls of Metal 139
  • Profile - Barry 151
  • 9 - Heavy Metal Music, Individualism, and Adolescent Alienation 155
  • Appendix: Interview Questions 169
  • Notes 171
  • References 183
  • About the Book and Author 189
  • Index 191
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Help
Full screen
/ 196

matching results for page

    Questia reader help

    How to highlight and cite specific passages

    1. Click or tap the first word you want to select.
    2. Click or tap the last word you want to select, and you’ll see everything in between get selected.
    3. You’ll then get a menu of options like creating a highlight or a citation from that passage of text.

    OK, got it!

    Cited passage

    Style
    Citations are available only to our active members.
    Buy instant access to cite pages or passages in MLA, APA and Chicago citation styles.

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

    1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

    Cited passage

    Thanks for trying Questia!

    Please continue trying out our research tools, but please note, full functionality is available only to our active members.

    Your work will be lost once you leave this Web page.

    Buy instant access to save your work.

    Already a member? Log in now.

    Oops!

    An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.